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The Art
of
Distillation
By John French
Produced by
R A M S
Restorers of Alchemical Manuscripts
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John French (circa 1616-1657) was an English physician who
also served as an army doctor. “The Art of Distillation” is
thought to be representative of the English chemistry of
this period. John French was follower of Paracelsus’ school
of alchemy/chemistry, which was skeptical of certain
alchemical traditions yet dedicated to seeking medical uses
for various chemicals and compounds. Note the frequent
references to Paracelsus in this work.
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The Epistle Dedicatory
To My Much Honored Friend, Tobias Garbrand,
Doctor of Physick and Principal of Gloucester Hall in Oxford.
Sir! It is my ambition to let the world know upon what
score it is that I do especially honor men. It is not,
Sir!, as they are highborn heirs of the great potentates,
for which most honor them (and upon which account I also
shall not deny them their due) but as they excell in
honesty and are friends to art. That poor philosophers
should take no delight in riches, and rich men should take
delight in philosophy, is to me an argument, that there is
more delight, honor, and satisfaction in the one than in
the enjoyment of the other.
I once read of a nobleman's porter who let in all that were
richly apparelled, but excluded a poor philosopher. But I
should, if I had been in his place, have rather let in the
philosopher, without the gay clothes, than the gay clothes
without the philosopher. As long as I have sense or reason,
I shall improve them to the honor of the art, especially
that of alchemy. In the perfection thereof there are
riches, honor, health and length of days. By it, Artefius
lived 1000 years, Flamel built 28 hospitals with large
revenues to them, besides churches for it, both they and
diverse more were accounted philosophers, and wise men,
which sounds with more honor in my ears than all the
rattling and empty titles of honor whatsoever besides.
In the perfection of this art, I mean the accomplishing of
the Elixir, is the sulphur of philosophers set at liberty,
which gratifies the releasers thereof with three kingdoms,
viz. Vegetable, Animal, and Mineral. And what cannot they
do, and how honorable are they, that have the command of
these? They may commend lead into gold, dying plants into
fruitfulness, the sick into health, old age into youth,
darkness into light, and what not? A month would fail to
give you an account of their power and dominations. Now for
the effecting of this I shall besides what I have advised
in the Epistle to the Reader, say only this: court the
mother, and you win the daughter. Prevail with nature, and
the fair Diana of the philosophers is at your service.
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Now, if you cannot prevail with nature for the fairest of
her daughters, viz. the mercury of philosophers, yet she
has other daughters of wonderful beauty also, as are the
essences and magisteries of philosophers which also are
endowed with riches, honor, and health, and any of these
you may more easily prevail with their mother nature for.
This art of alchemy is that solary art which is more noble
than all the other six arts and sciences, and if it did
once thoroughly shine forth out of the clouds whereby it is
eclipsed, would darken all the rest (as the sun does the
other six planets) or at least swallow up their light. This
is that true natural philosophy which most accurately
anatomizes nature and natural things, and visually
demonstrates the principles and operations of them.
That empty natural philosophy which is read in the
universities, is scarce the meanest hand-maid to this Queen
of Arts. It is a pity that there is such great
encouragement for many empty end unprofitable arts, and
none for this, and such similar ingenuities which, if
promoted, would render a university far more flourishing
than the former. I once read or heard of a famous
university beyond the sea that was fallen into decay
through what cause I know not. But there was a general
council held by the learned to determine how to restore it
to its primitive glory. The medium at last agreed upon was
the promotion of alchemy, and encouraging the artists,
themselves. But I never expect to see such rational action
in this nation, until shadows vanish, substances flourish,
and truth prevails, which time I hope is at hand and
desired by all true artists and, to my knowledge,
especially by yourself, upon which account I truly honor
you.
Now, to yourself therefore I crave to adumbrate something
of that art which I know you will be willing, for the
public good, to promote. I dedicate this treatise to you,
not that it is worthy of your acceptance, but that it may
receive worth by your acceptance of it. I present it to you
(as men bring lead to philosophers to be tinged into gold)
to receive the stamp of your favor and approbation that it
may pass current, with acceptance among the sons of art,
whereby you will continue to oblige him who is
Sir, Your most obliged servant,
John French. London, November 25, 1650
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