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The telephone rang, its sharp jangle seeming visibly to jolt the quiet waves of air in the darkened room. Smith lifted
the receiver slowly and said, "Hello."
Smith had never before heard the voice, which said, "What kind of deal are you offering?"
"Depends on what you've got," Smith said non-committally. "Suppose you tell me something about yourself."
"What I've got is one of the great stories of our time. A secret agency for the United States
government. An official government assassin and his elderly Oriental trainer. A father-son love
theme that runs through it. Their battles against evil to try to make America safe for all its people
again."
As the voice ranted on, Smith's stomach sank. This man, whoever he was, knew everything.
CURE had been compromised.
THE DESTROYER SERIES:
. . .
He
Refuse!
#1 CREATED, THE DESTROYER
#26 IN ENEMY HANDS
#2 DEATH CHECK
#27 THE LAST TEMPLE
#3 CHINESE PUZZLE
#28 SHIP OF DEATH
#4
MAFIA.
FIX
#29 THE FINAL DEATH
#5 DR. QUAKE
#30 MUGGER BLOOD
#6 DEATH THERAPY
#31 THE HEAD MEN
#7 UNION BUST
#32 KILLER CHROMOSOMES
#8 SUMMIT CHASE
#33 VOODOO DIE
#9 MURDERER'S SHIELD
#34 CHAINED REACTION
#10 TERROR SQUAD
#35 LAST CALL
#11 KILL OR CURE
#36 POWER PLAY
#12 SLAVE SAFARI
#37 BOTTOM LINE
#13 ACID ROCK
#38 BAY CITY BLAST
#14 JUDGMENT DAY
#39 MISSING LINK
#15 MURDER WARD
#40 DANGEROUS GAMES
#16 OIL SLICK
#41 FIRING LINE
#17 LAST WAR DANCE
#42 TIMBER LINE
#18 FUNNY MONEY
#43 MIDNIGHT MAN
#19 HOLY TERROR
#44 BALANCE OF POWER
#20 ASSASSIN'S PLAYpFF
#45 SPOILS OF WAR
#21 DEADLY SEEDS
#46 NEXT OF KIN
#22 BRAIN DRAIN
#47 DYING SPACE
#23 CHILD'S PLAY
#48 PROFIT MOTIVE
#24 KING'S CURSE
#49 SKIN DEEP
#25 SWEET DREAMS
#50 KILLING TIME
#51 SHOCK VALUE
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PINNACLE BOOKS
NEW
YORK
This is a work of fiction. All the characters and events portrayed in this book are fictional, and any resemblance to real people
or incidents is purely coincidental.
DESTROYER 52: FOOL'S GOLD
Copyright © 1983 by Richard Sapir and Warren Murphy
All rights reserved, including the right to reproduce this book or portions thereof in any form.
An original Pinnacle Books edition, published for the first time anywhere.
First printing, May 1983
ISBN: 0-523-41562-1
Cover illustration by Hector Garrido
Printed in the United States of America
PINNACLE BOOKS, INC.
1430 Broadway
New York, New York 10018
For ink. With love.
And for the Glorious House of Sinanju, P.O. Box 1454, Secaucus, NJ 07094
FOOL'S GOLD
One
She did not expect to see death. She had enough problems with heights. She asked the guide
if the ropes were steady, and if he would be steady at the other end.
"Lady," said the guide, "I got hands of steel and a spine of platinum."
"What does a spine of platinum mean?"
"It means don't worry, lady, you ain't gonna fall."
Dr. Terri Pomfret looked up toward the top of the cave. Without a flashlight, she couldn't even see the top
of the arched cavern.
Some visiting British spelunkers had crawled up there a month ago while exploring these
caves of Albemarle County in North Carolina. They had been going along the ceiling,
driving spike after spike, when they came across it. It was a plaque, some kind of metal,
chiseled into the stone. They had made a hasty, sloppy rubbing of the stone. No one could
identify the writing until it got to Terri Pomfret's office at the university.
"Of course it's Hamidian," she had said.
1
2
"Are you sure?"
"Yes. Look at the letters. The formations. Perfect. Perfect ancient Hamidian."
"Then you can read it?"
"This is a bad impression," Terri had said. "I can barely see it."
"If you saw the original, you could read it?"
"Certainly."
"It's at the top of one of the deep Albemarle caves."
"Shit," said Dr. Pomfret.
"Is that negative?" asked her department head.
"What it is is that I hate two things in the world. Going under the ground and going
high."
"You're the only one who can do it. And don't worry, Terri, nobody as pretty as you is
going to be allowed to fall."
So because of her fear of heights, her guide had strung a rope down from the spikes the
British spelunkers had left in the ceiling, and attached a pulley to it. All she would have to
do would be to go straight up to the plaque, pulled up by a rope. No climbing along the
roof of the cave.
"It's safe, lady," the guide said.
"All right," said Terri. The flashlight was sweaty in her hands and her voice felt weak.
Her pencil and paper were strapped to her belt in a little canvas bag. She was 32 years
old, with cream-white skin and raven hair and a face that could have been used for a
magazine cover, but she preferred to use her mind for her work, not her body.
And now her body was being lifted up to the top of the cave and her breath was
stopped as she
3
was thinking,
I will not think about falling to the bottom of the cave. Definitely not. I will not think about falling.
Falling,
she thought. She wondered if the silica sand at the bottom of the cave would
soften a fall. The guide's light seemed very far below. She wondered if she released her
bladder, what would happen. Then she reminded herself not to breathe.
Then the roof of the cave was up there at her belly and she saw the plaque and she said
to herself, "This is not English." And then she said to herself, "Of course not, you beanbag,
it's Hamidian. That's why you are here."
The plaque seemed to be chiseled in some rough Hamidian script; as she touched it, she
felt that it was metal, but it had been covered with some kind of paint or stain.
She propped her flashlight, like a telephone receiver, between her cheek and shoulder
and felt the plaque with both hands. It had the normal Hamidian greeting. It was from one
trader to an* other. Even if she had not seen the markings, she would have suspected
Hamidian, because they were the only tribe in the history of South and Central America that
had been great traders, and they left themselves messages, such as this one, in many of the
spots their ships had visited all over the world. A message at the top of a cave. A message
mounted on a stone ceiling 75 feet beneath the ground, discovered only by exact
coordinates. That was how they hid their supplies and treasures for each other.
And there they were at the top of the cave, the coordinates. Four inscriptions down and
there were
4
guidelines for other Hamidians. She had always been sure the ancient tribe had been to America, too, and here
was the proof. She estimated it had occurred several hundred years before Columbus.
But then the Hamidians had died out, apparently killed off by the Spanish when they
came to loot the Americas of all their gold. No one had ever found the Hamidian
treasures.
She adjusted the flashlight.
A mountain? They were storing a mountain? Why would the Hamidians store a
mountain? Why would they want to protect a mountain?
She got the next word. It was confusing. It meant valuable. It could also mean coin in
some contexts. It was a very common word for the Hamidians. Would they exaggerate? In
poetry, yes. In a message to their fellow Hamidian traders, no. They were very literal and
precise.
poetry, yes. In a message to their fellow Hamidian traders, no. They were very literal and
precise.
Therefore, there was an entire mountain made of coins, thought Terri. Her back hurt.
She wondered why her back hurt. Oh, yes. She was hoisted up here at the top of the cave
and the rope was biting into her back.
Mountain of coins. She remembered one of the first Hamidian poems she had ever
translated. That word was in it. A mountain of pure coins. The sun glowed like a mountain
of pure coins.
No. The sun glowed like a mountain of gold. Gold. An entire mountain of pure gold.
And she was falling.
"You damned idiot," she screamed. "Hold that rope. I'm getting the coordinates."
The rope jumped again and she kicked, feeling a sway, seeing the plaque go farther away
from her
5
before she had the coordinates. She was swinging and the coordinates were up there
getting farther and farther away and then she realized the rope was sinking through the piton
and she was swinging wide like a pendulum, falling, in longer and longer arcs.
She felt her back would break where the rope held her, the flashlight went flying, the notepad went flying,
and then she hit a wall at the far end of a swing. But it was not a hard hit, more like being bumped by a big man.
It must have been at the outer reach of the arc, just before she came back. And she bumped again, and at the
lowest point of the arc she brushed the ground with her legs, and that diminished the force of her fall, leaving
her in the soft silica dust with the coils of rope coming down after her.
It took a few moments to get her breath. She felt her legs and her arms. No severe pain.
Nothing was broken. A sharp yellow light about fifty feet from her illuminated a patch on
the cave wall. The guide had not only dropped her, he had dropped his flashlight.
"Butterfingers," she said angrily. "Idiot, goddam butterfingers." He didn't answer. She
had to get up herself and walk over to the flashlight herself and pick up the flashlight
herself and then look around for the butterfingered moron.
The flashlight was warm and moist and sticky. She couldn't see what the liquid was and
she didn't really care to. She wanted to find the butterfingered clown who had let her
drop. She shone the flashlight around the cave.
"Shmuck," she said. "All right. Have you run
6
away? Is that what you did, butterfmgers?" She was almost crying, she was so angry. How
could he do this to her? Him and his spine of platinum. Really.
She felt something beneath her foot in the soft silica sand, something like a small tube.
Had but-terfingers dropped that too?
She pointed the flashlight at the ground. And then she realized why her guide had butterfingers. She was
looking at them. His fingers had all been cut off. And so had an arm, and the head was looking at her with that
stupid open-pupiled gaze of the dead.
Dr. Terri Pomfret, professor of ancient languages, let out a scream in the Albemarle Caves
that didn't stop until she realized that there was no one around to hear her. Unless, of
course, it was the person who had done this to her guide.
Whoever it was did not come after her. And she made it outside, after what seemed like
almost a full day of dazed wandering. It had been forty minutes, and the sticky liquid on
the flashlight was blood.
She would have bet at that moment that the last place she "would ever return would be to
that cave. The police could find no suspect. Indeed, for a while, she was the suspected
murderer of the guide, but then the investigation just died out, and one day soon after
several men visited her. They were from the government and they asked her if she loved
her country.
"Yes. I guess. Of course," she said.
"Then I think you ought to know what a mountain of gold is," said one of the men.
7
"It's a load of gold," said Terri.
"No, no. That's what a truckload of gold is. A mountain of gold," he said solemnly, "is the most dangerous
strategic asset any nation can have. It is pure wealth. It isn't like oil that is vulnerable and in the ground. It is the
most liquid wealth anyone could have. In such quantity, whoever owned it could literally control the world."
Terri couldn't believe it. Here she was talking to the government and they were talking
nonsense at her.
"Do you really believe the mountain exists?" Terri asked. "I mean, even if the
Hamidians were very specific when they were writing about money, well, let's face it, a
mountain of gold is . . . well, a mountain of gold. I just don't think there is that much in the
world."
Dr. Pomfret did not understand, said the men from the government. The possibility that
the mountain might exist was so dangerous that they had to go looking for it.
Quietly, the government had called in geologists and mineral experts and they theorized
about the structure of the earth and mining capabilities over the years, and on and on,
and they said, yes, maybe there could be a mountain of gold.
"I'm not going to go back into that cave," Terri said.
"Meet Bruno," said the men from the government. Bruno was six-feet-five and had a head
shaved like a bullet and a neck like heavy plumbing for an aircraft carrier. His hands were as
wide as a bread-box. Hair grew on his fingertips.
8
Bruno smiled a lot. He picked up a telephone in Dr. Pomfret's office and squeezed it until
the wiring popped out like carnival-colored spaghetti.
"This is your bodyguard, Dr. Pomfret."
Bruno's voice was surprisingly cultured, with even a bit of arrogance in it.
"I have never lost a client yet, Dr. Pomfret."
"I can see," she said.
"You can trust me," said Bruno.
"Yes. Well, all right," said Terri. He was big and he was strong and he did give that feeling of assurance. She
was up and down in the cave that afternoon, with the entire inscription translated and the coordinates accurate.
Outside the cave, Bruno kept telling her how he never lost anyone. His grin became
bigger. He told her how most assassins and killers were dumb. That the guide had to be
especially stupid to get his head cut off like that. And his fingers and his arms.
Bruno assumed that the killer had apparently seen him and exercised some rare
intelligence.
"He's probably running right now, back where he came from," said Bruno as they
entered his little M.G. convertible. Bruno smiled again. Bruno put the key into the ignition.
Bruno smiled again. Bruno turned the key in the ignition. Bruno's head fell off into Terri
Pomfret's lap.
She was looking at a gushing severed neck and the head was in her lap. This time when
she screamed, not even her sore throat could stop the yelling. People had to lift her out of the
car still screaming. She was under sedation for a week.
9
When the doctors said she could talk, a govern-ment representative came into her room.
Terri felt as if she were on a cloud and she was also feeling that when she got off the cloud,
the terror would begin again.
The government official was apologetic.
"Well, golly, I guess we did it again, didn't we?" he said. "Seriously, however"
"Uhhh," said Terri and slipped into comfortable blackness. The doctors explained to the government man
that even though the hospital could give the patient sedation, she also had her own form of self-sedation that
mankind had used throughout history.
"What's that?" the government man asked.
"It's called passing out in terror," said the doctor.
"Was it a loud scream? Was her whole body in it? Did her breasts move when she
screamed?"
Neville Lord Wissex waited for an answer. He wanted to know exactly. He sat in the great
hall of Wissex Castle, in afternoon grays, with a magnum of new Peruvian white, that
made most Chablis taste like a soft drink. A subtle dash of cocaine always aroused the
true bouquet of a white wine.
Outside the window, the British countryside rolled in a pleasant and rare sunny day,
green hill to green hill, the ancient estate of the Wissexes. Behind Lord Wissex were stuffed
heads, mounted on mahogany, with small brass plates under the necks. The eyes looked
realistic because they came from ocular prosthodontics. People used glass eyes for moose.
Why use less for humans?
10
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