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The Drink Tank Issue 52
One for Every Week of the Year
Aren’t you supposed to do a cover with the covers of every other issue of the year on it for the 52nd
issue of the year? I dunno. This is the 52nd issue of The Drink Tank since January 31st of 2005. I feel like I
should make it the annish, even though it’s not that time, but I shan't.
If You Buy Only
One Album of
Lounge Covers
of Rock Songs...
I’m a big fan
of lounge music,
have been since the
mid-1990s, when
bands like Love
Jones, Combustible
Edison, The Cocktails, the Friends of Dean
Martin and so forth made it cool to grab a
martini and hang around at hotel bars (and
I love hotel bars). This wave sorta faded
before 2000 hit and all the computers failed,
so the thought was I’d have to live with the
CDs that I had spent far too much money on
during college.
Luckily, this turned out to be false.
You see, there was a comedian in
LA who had an idea. What if you took the
Lounge attitude, with all the booze and
soothing instrumentation, and did covers of
Rock tunes. This idea, which actually dates
back to when Frank Sinatra and his buddies
would play Vegas and do Rolling Stones and
Beatles songs between the regular numbers.
This singer took the name Richard Cheese
and his back-up band was Lounge Against
the Machine.
The irst al-
bum was released
back in 2000, and
it was simply titled
Lounge Against the
Machine. It was an
easy album to love,
mostly because it
featured such great
pieces as Rape Me
(originally by Nirva-
na), Guerrilla Radio
(by Rage Against
the Machine), and A
Limp Bizkit medley.
It was brilliant stuff.
The second
and third albums
were a bit of a dis-
appointment, with only a couple of songs
really hitting like the entire irst album did.
Those were songs like Hey Ya (originally by
OutKast).
The fourth Richard Cheese Album
came out in 2005 and it’s a blow-away
smash that is right up there with the irst.
For starters, the song choices are perfect.
Me So Horny by 2 Live Krew, You Oughta
Know by Alanis Morrissette, Let’s Get it
Started by Black-Eyed Peas, and Alice in
Chain’s Man in the Box. Those alone would
make the album worth buying, but prob-
ably the best
song that Rich-
ard Cheese has
ever covered is
Sunday Bloody
Sunday by U2.
He does is as a
Mambo, which is
brilliant enough,
but then he
throws in re-
ally bad Spanish
(such as pro-
nouncing y (usu-
ally pronounced
as ‘ee’) as y (as
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in ‘why’) and then breaking into ‘Domingo Sangre
Domingo. It’s brilliant and it’s a wonderful Mam-
bo beat.
Richard Cheese has his own backing band,
who rotate all the time though using the same
names for everybody who plays the same instru-
ment. They are Gordon Brie, Buddy Gouda (who
retired and was replaced by Fred Feta), and Bob-
by Ricotta.
While I understand that there are a lot of
folks who really hate lounge music, if you’re a
fan of Equivel or Martin Denny, you’ll probably
at least enjoy the compositions, which are almost
always well-thought out. It’s fun listening if you
like the rock tunes they’re based on too. I just
keep hoping he’ll do an album of Zeppelin or
Black Sabbath covers. Now that’s an album that
would rock.
What I learned from writing my Latest Script
and John Hughes' better high school com-
edies. It’s basically a comedy in which a guy
gives a girl a gift and it comes back to him in
the most unexpected way.
I’m still working on who I’ll get for it.
John Chapman, who did the shoot with me
this week for my crazy freeway story, is one
option I’m thinking about. I’d love to work
with my pal Steve Sprinkles again, even
though he moved to LA, and there’s Mike
Flores, Sean Becker and Lon Lopez who I’ve
worked with lately and I’d love to have an-
other chance to work with. We’ll have to
see.
If anybody wants a screen credit,
lemme know and I’ll make it happen.
I’m working on a short that’ll probably be
the last one I do before I try a feature ilm.
It’s ambitious, about 20-25 minutes, full of
adult humor (like my last two ilms weren’t)
and it’s got an ending that I think will be a
laugh to all who make it through. While
I’m still working on short docs (hopefully the
Cactus Club doc will be done around the
irst of the year, and then I’ve got one that
Fanzine Fans may ind quite interesting),
I think short narrative ilms are likely out
of my system, for a while at least.
The story is pretty simple: Boy meets
girl, Boy loses Girls, Girls comes back in
unexpected form. It’s been done a thousand
times before, but this time, it’s done in a
wild way that will appeal to the crowd that
likes the Wedding Crashers/40 Year Old Vir-
gin ilms.
I made a bunch of mistakes...on pur-
pose. I throw away show don’t tell in favor
of a post-modernist narrator who is also in
the story itself. I’ve always liked stories
where the main character talks to the cam-
era, with Malcolm in the Middle and 24
Hour Party People being excellent examples.
In fact, the story is basically what would
happen is 24 Hour Party People’s sensibili-
ties crossed with Wedding Crasher’s comedy
This Saturday, I go to the city of Newark...
I don’t usually go in for wrestling
nostalgia on a big scale. I study wrestling,
I watch old tapes, I write history articles
about wrestling, but I don’t go to the Old
Timers Wrestling Shows like a lot of fans
hoping to see their old faves in the ring
again. I just don’t wanna relive those times
by having the guys go through the motions
and try when their bodies are broken down
and beat. It’s kinda sad. But...
This Saturday there’s a big show
at the Pavilion in Newark, CA that I’m all
hyped to go to. It’s not really for the old-
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timers, though with the
ticket I bought, I get a
free autograph from all
of them, but because
there’s a wrestling show
only using two of the
old-time wrestlers (Greg
The Hammer Valentine
and Brutus the Barber
Beefcake teaming up
as the reunited Dream
Team) and a few young
guys who are cool.
There’s also a Lucha
Libre match! I’ll be more
excited for the dealers
tables (hopefully lots
of tapes and old pro-
grammes for sale) and
meeting some of those
strange members of
wrestling fandom. At-
tending stars (from up-
per left to right) are Rick
Martel, Jim Neidhart,
Roddy Piper, RVD, Bret
Hart, Capt. Lou Albano
and the Iron Sheik.
My Spaceship
by
M Lloyd (now in Moscow)
help in the collection of solar power, right?
Even if not, it still need to shine like a pair
of shoes that you’d use to look up a lady’s
dress.
Once you’ve got the exterior decoration
scheme settled, and it IS settled, one must
think of materials. I like aerogel, but they’ll
have to ind a way of making it strong
enough to hold people and stuff while still
keeping its light properties. It also happens
Chris told me about the panel he was
on about building a spaceship. G David
Nordley was on the panel, which makes me
think that it was probably a great scientiic
panel to be on for Chris, who may be the
least scientiic person on Earth. But, I got
to thinking, and here’s my thoughts about
spaceship design from a girl who has worked
as a journalist in the aeronautical sciences
as well as an ofice monkey for NASA.
First off, materials. I want something
that is shiny. Maybe it’s the Flick concept
rubbing off, but I really do think that space-
ships should be shiny and metal and pretti-
ied. It just makes sense. Now, I know there
are issues with that about heating from the
sun, but a mirror-bright inish will probably
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to look really cool. For the area I’m thinking,
you’ll needed several thousand square miles
of space in the ship.
What! I hear you cry. Why would you
need several thousand square miles? Well,
it’s easy. According to Chris (and I know I’ve
seen a similar number somwhere) you need
about 1 square mile of growing space per
500 people for food requirements. You really
can’t go into space without at least 100,000
or so people. There’s a good reason for need-
ing so many people. It’s called sanity.
You need to make sure you have every
possible sexual deviation covered. The only
way people aren’t going to go all Reaver on
you is if you encourage sexual openness and
set-up lots of time for it, but you also have
to make sure that it’s the kind of sex that
people’ll want to be a part of, so you’ll have
to have all the bases covered or you’ll just
see so many people go plum crazy, so you
need a huge ship. More on that later.
would likely have to come from ish and
perhaps chickens and maybe pigs (animal
fertilizers are very useful and pigs make
excellent garbage and body disposal system).
Fruits are important, and at least a few
specialties will be essential. NO DURIAN!
There’d need to be wheat, rice, barley,
hops, and probably corn. Rice for Sake,
barley and hops for beer, wheat and corn for
whiskey. Yes, you’ll need alcohol for space
travel by large numbers of people. Peat
would also be nice to keep Irish Whiskey
alive, but alas, not possible.
One thing that is ultimately going to
decide the success of any mission is the
ability to breed a new generation, and for
that, special screenings must be done. First
-off, there need to be beautiful people on
board. The Space Babe is not just a cliche,
but a vital part of keeping any long-haul
ship alive. She’s needed because pleasing
sexual conquests must be available to keep
the guys (and a select group of girls) sane.
For 100,000 people, you’d need a ship
about 200 square miles (or a ship of 100
miles by two, or ten by twenty...well, you can
do the math) and doing it as a Ring would
be one good idea (false gravity from spin and
all that) but if it were lat, you could do cool
things. Still, a ring is probably the best idea.
Now, with 100k people aboard a ship,
you need all sorts of food options, especially
if you’re going to be there a long time. If
this is just a fast (less than ten years) trip,
you don’t need much more than the basics.
For a long haul, something that might take
generations, you’d want as many options as
possible to ill all sorts of needs. Soybeans
would be essential, and animal protein
I’m not saying
there don’t have
to be hot guys,
there certainly
have to be, but
hot chicks will
help the process.
Sex, and a variety
of sexual options,
will be the single
most important
thing for keeping
people mentally
healthy, not to
mention the
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positive physical health it
will promote.
That leads us to
religion. It’s gotta exist.
There’s little way of
keeping a social order
in check without a solid
religious movement to get
behind. It’s an easy way
to keep people in order
and promote unity. But
what religion? It has to
be one that allows for
a lot of freedom, a non-
literal interpretation of
any text. A Christian sect
would be incredibly hard
to pull off, mostly due to
the restrictions on sex
for pleasure. Something
based on Heinlein could
work, but it would have
to be contained to a
certain dimension. In
fact, Buddhism offers a
lot of pluses, but a few
minuses. Islam is probably a no, though
there are sects of Islam that would do well
in that environment. Hinduism would be my
personal choice, and perhaps Jainists would
work too with the concept of little or no
property.
This brings me to the most important
thing: the way you mark time. On my ship,
there is a set time when lights go on and
lights go off. A Twelve-up, Twelve-down
system like we have (mostly) here on Earth
would be OK, though a 14 and 10 would be
more advantageous for productivity and still
allows for a sense of organization. A slow
fade starting about an hour before ‘Dark’
would be a smart idea. The seasons would
also be important. Keeping the place colder
in the “winter” and warmer in the “summer”
could also be a good plan. Though, if we
have information enough on the place where
we’re going, we should do everything we can
to simulate those conditions.
I’d also make sure there were slums
on the ship, just to keep folks striving to
work their way out of
places like that.
Oh, you thought
there would be no class
difference on a spaceship?
You thought it would be
dangerous to have haves
and have-nots. Think
again. It is only the desire
to go from one state to
another that keeps people
trying, either that, or the
fear that if you don’t so
you’re part you all die. I
much prefer the idea that
you can work your way
into fame (and in a world
of 100k, there’s room for
fame) and into a better
position. It may also lead
to riots and thefts, but it’ll
keep people trying.
So, that’s my idea
for a space ship. Get
buildin’!
The Story of My Spaceship
by
Mike Swan
It’s easy. It’s gotta be a giant saucer,
rotating the same direction as the Earth,
and it has to make a whirring sound when
it’s in the atmosphere. Other than that, I
don’t care what’s in or on.
Christopher J. Garcia Presents: The
Garcia Ship
I’ve thought about this a lot. While
food is the most important thing on any trip,
and I’d like to think of it like this: ish and
shellish.
I picture a spacefaring culture that
produces giant middens like my ancestors
the Ohlone did, as places to mark graves,
allow for ancestor worship, even places to
get building materials as the centuries go
by. That would also mean building ships
that were truly huge, like 100 sq. miles for
thirty thousand people.
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