minor_blues.pdf

FENDER PLAYERS CLUB MINOR BLUES

MINOR PENTATONIC SCALE VARIATION

This variation of the minor pentatonic scale is a simple one: merely add the ninth (or second) degree of the minor scale

to the minor pentatonic in both octaves. The spelling and the notes in the key of C minor are:

(b)3 4

(b)7 1(8)

With the following fretboard and fingering diagrams, play patterns 2 and 4 for this minor pentatonic scale variation. Try

not to look at this as a whole new scale—see it as something familiar with a note added. (Exactly what it is!):

FIG. 1

pattern 4 blues scale variation

pattern 2 blues scale variation

MINOR BLUES PROGRESSION

Blues progressions based on major or dominant chords have been used up to this point. Let’s look at a twelve-bar blues

progression in the key of A minor:

FIG. 2

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FENDER PLAYERS CLUB MINOR BLUES

This progression should look familiar. The only difference is that the i and iv chords are minor instead of major or

dominant. There are also minor blues progressions that use a minor V chord or mix up the use of the minor and dominant

V chords. This next minor blues progression uses a dominant V chord and introduces the use of the VI chord of the minor

scale:

FIG. 3

Notice the feeling the VI chord gives. It delays the arrival of the V chord, then the V chord pushes toward resolving to the

i chord. As mentioned previously, there are endless variations of minor blues progressions. Be flexible and listen! Practice

improvising on each of the progressions above, after you have learned the proper tools from the next section.

IMPROVISING OVER MINOR BLUES PROGRESSIONS

Soloing or improvising over minor blues progressions is not that much different from major blues progressions, though

there are a couple of things to mention. Obviously, previous blues progressions flirted with the use of the major third of

the key center while the i chord was being sounded. This will be avoided when improvising over minor blues progressions.

The use of the regular blues scale, minor pentatonic, and the minor scale will be more important here. The use of the

minor pentatonic variation will add some additional color here as well. Learn the following twelve-bar minor blues solo.

Analyze the note choices. The solo uses the chords from the second progression.

FIG. 4

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FENDER PLAYERS CLUB MINOR BLUES

This lesson is from:

Guitar Soloing: The Contemporary Guide to Improvisation (M usicians Institute Press)

by Daniel Gilbert and Beth Marlis.

A comprehensive source for mastering the art of single note, melodic improvisation.

The topics covered include: scales, modes, arpeggios, technique, and visualization

exercises; rock, blues, jazz, and other styles; and sequences, phrases, and licks.

The CD includes over 30 tracks for demonstration and play-along.

Inventory # HL 695190. Book/CD pack $19.95 (US).

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