135.PDF

135

h) Noticethat thislineuses the3rdof thechord instead of therootin thesecondbar.

Estote pone

locobezonolo (2-31

)=zos G

A,rnl

Here is a second variationof this idea,using a rhythm in bars 3 and4 that is almostlike a Socafeel'

i) A combination of a cachao-like descarga rhythm with a Bomba in bar 2 artda Timba feel in bar 3'

Mot/,aloy ven (2-31

J =os gt

j) Note the arpeggio in bar I and the use of the fifth of the chord to start bar 3'

Que ledencotdelo (F'-21

Cmr

Hereare someother "post-tumbao"

cuban-style basslines for youto lookover.

Sal Cuevas I Aguoa lo Cotdela I Sonto Porcefr a (2-51

I RoyBarreto (2-31

SolCueva I SoyDichoso

À7

) =208

I lsaac Delgado (3-21

lo quie

tu sabes

Felîciarc Arango

I Dlme

9' 'n'nn

C+nl

D7 G+1