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Marco Lucioni
Practical Guide to Neck Dissection
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Marco Lucioni
Practical Guide
to Neck Dissection
Forewords by
Italo Seraini, Jatin P. Shah, Jesus Medina,
Wolfgang Steiner, Antonio Antonelli
With 135 Figures, Mostly in Colour
123
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Marco Lucioni, MD
Via G. Leopardi 9
31029 Vittorio Veneto, Italy
Library of Congress Control Number: 2007924718
ISBN 978-3-540-71638-9 Springer Berlin Heidelberg NewYork
his work is subject to copyright. All rights are reserved, whether the whole or part of the material is
concerned, speciically the rights of translation, reprinting, reuse of illustrations, recitation, broad-
casting, reproduction on microilm or in any other way, and storage in data banks. Duplication of
this publication or parts thereof is permitted only under the provisions of the German Copyright
Law of September 9, 1965, in its current version, and permission for use must always be obtained
from Springer-Verlag. Violations are liable for prosecution under the German Copyright Law.
Springer is a part of Springer Science + Business Media
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© Springer-Verlag Berlin Heidelberg 2007
he use of general descriptive names, registered names, trademarks, etc. in this publication does
not imply, even in the absence of a speciic statement, that such names are exempt from the rel-
evant protective laws and regulations and therefore free for general use.
Editor: Marion Philipp, Heidelberg, Germany
Desk Editor: Irmela Bohn, Heidelberg, Germany
Reproduction, typesetting and production: LE-TeX Jelonek, Schmidt & Vöckler GbR,
Leipzig, Germany
Cover design: Frido Steinen-Broo, EStudio, Calamar, Spain
Printed on acid-free paper 24/3180/YL 5 4 3 2 1 0
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Foreword (I)
It was three o’ clock in the aternoon: time for
anatomy class. A badly lit room, a caretaker to
collect tips, and a single lecturer for 30 students.
he material on which to study practical anat-
omy consisted of a humerus, a femur, and an en-
tire decomposing human forearm with skeletized
muscles and tendons, reduced to shreds by previ-
ous inexperienced dissectors. hen, 2 years later
at midday, I found myself in a pathologic anat-
omy amphitheater with 300 students. An empty
corpse lay on the distant dissection table with
various removed organs lined up by its side. he
lecturer was giving his last class for the course
and gratefully addressed the deceased, “for do-
nating his body to the progress of science”. hese
are my recollections as a student of medicine 35
years ago. Yet Padua was an important University,
one of the most ancient, most prestigious univer-
sities in Europe! hese experiences go back many
years, but I do believe the situation has changed
very little since then.
hese were my thoughts 15 years ago when
I was invited to direct a neck dissection course
in the corpse at the Vrije Universiteit Brussel. To
prepare the course, ater 30 years’ experience in
neck surgery, I went back to, or rather, I found
myself for the very irst time dissecting a cadaver.
I would like to thank all colleagues at the Uni-
versity of Pavia for lending me their dissection
theater. It was a stimulating, highly positive expe-
rience, enabling my coworker and me to broaden
and develop our knowledge of neck anatomy
and its border areas. While we iconographically
documented the various cervical regions and dis-
section planes, our thoughts turned to past expe-
riences in this type of activity.
Anatomic dissection for research purposes
dates back to the Egyptians in Alexandria, but
was prohibited in the Western world for many
centuries by Jewish and Christian religious cul-
ture. A decree was passed in the Kingdom of
Sicily in 1231 by Frederick II of Swabia, stating
that “… all those who studied surgery should be-
come learned in operations and particularly in
the anatomy of the human body …” Mondino dei
Liuzzi, author in 1316 of the treatise Anathomia,
introduced cadaveric dissection into the univer-
sity teaching curriculum in Bologna. he chief
Council of the Serenissima Republic in Venice
decreed that every year a number of corpses
should be dissected “propter urbis honorem civi-
umque salutem”.
However, the “anatomy century” was un-
doubtedly the 16th century, with its Renaissance
anatomists. he most outstanding igure in the
scientiic revolution of that period was clearly
Andreas Vesalius from Brussels (1514–1564)
with his De Humani Corporis Fabrica. Prevented
from practicing dissection at the University of
Leuven, Vesalius came to Padua where, despite
his very young age, the Serenissima government
appointed him to the chair of anatomy in virtue
of his extensive knowledge on the subject and
corpse-dissecting skills.
Five and a half centuries later, we were to
make the same journey as Vesalius, only in the
opposite direction. Prevented by law and custom
from holding a course on dissection in Italy, we
let the land of the Serenissima in the direction
of Brussels, where a modern university organiza-
tion provided us with all the necessary technical
equipment and 15 cadavers. We armed ourselves
with our long and inveterate experience in neck
surgery and our more recent know-how in ca-
daveric neck dissection with related iconography.
When, ater the second “Andreas Vesalius course”,
as we call them, Dr. Marco Lucioni, my faithful
coworker in the preparation and conduction of
these scientiic-teaching ventures, expressed the
desire to produce a volume on anatomic neck
dissection techniques, based on our experience,
I did not hesitate to encourage him. I then enthu-
siastically observed the text being drawn up and
divided into the various chapters and igures.
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