Flowered Thundermug, The.txt

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The Flowered Thundermug 
by
Alfred Bester


    "We will conclude this first semester of Antiquities 107," 
Professor Paul Muni said, "with a reconstruction of an average 
day in the life  of a mid-twentieth-century  inhabitant of the 
United States of America, as Great L.A. was known five hundred 
years ago.

    "Let us refer to him as Jukes, one of the proudest names of
the times, immortalized in the Kallikak-Jukes-feud sagas. It is
now generally agreed that the mysterious code letters JU, found
in the  directories  of  Hollywood East, or New York City as it
was called then--viz., JU 6-0600 or JU 2-1914--indicate in some
manner  a  genealogical  relationship  to  the  powerful  Jukes
dynasty.

    "The  year  is  1950.  Mr.  Jukes, a typical `loner'--i.e.,
`bachelor'--lives on a small ranch outside New York.  He  rises
at  dawn, dresses in spurred boots, Daks slacks, rawhide shirt,
gray flannel waistcoat and black knit tie. He arms himself with
a Police Positive revolver or a Frontier Six Shooter  and  goes
out to the Bar-B-Q to prepare his breakfast of curried plankton
or  converted  algae.  He  may  or  may  not  surprise juvenile
delinquents or red Indians on his ranch in the act of  lynching
a victim or rustling his automobiles, of which he has a herd of
perhaps one hundred and fifty.

    "These  hooligans he disperses after single combat with his
fists. Like all twentieth-century Americans, Jukes is  a  brute
of fantastic strength, giving and receiving sledgehammer blows,
or  being  battered by articles of furniture with inexhaustible
resilience. He rarely uses his gun on  such  occasions;  it  is
usually reserved for ceremonial rituals.

    "Mr.  Jukes  journeys  to  his  job  in  New  York  City on
horseback; in a sports car (a kind of open automobile),  or  on
an  electric trolley car. He reads his morning newspaper, which
will feature such stories  as:  `The  Discovery  of  the  North
Pole,'  `The  Sinking of the Luxury Liner Titanic,' `The
Successful Orbiting of Mars by Manned Space Capsule,'  or  `The
Strange Death of President Harding.'

    "Jukes  works  in an advertising agency situated on Madison
Avenue (now Sunset Boulevard East), which, in those days, was a
rough muddy highway, traversed by stagecoaches, lined with  gin
mills   and   populated   by  bullies,  corpses  and  beautiful
night-club performers  in  abbreviated  dresses.  Jukes  is  an
agency man, dedicated to the guidance of taste, the improvement
of  culture,  the election of public officers and the selection
of national heroes.

    "His office on the twentieth floor of a towering skyscraper
is decorated in the characteristic style of  the  mid-twentieth
century.  He  has a roll-top desk, a Null-G, or Free Fall chair
and a brass spittoon. Illumination is by  Optical  Maser  light
pumps.  Large  fans  suspended from the ceiling cool him in the
summer, and an infrared Franklin stove warms him in the winter.

    "The walls are decorated with  rare  pictures  executed  by
such  famous  painters  as  Michelangelo,  Renoir  and  Sunday.
Alongside the desk is  a  tape  recorder,  which  he  uses  for
dictation.  His  words  are  later  written down by a secretary
using a pen and carbon ink.  (It  has,  by  now,  been  clearly
demonstrated  that  the  typewriting  machine was not developed
until the onset of the Computer Age at the end of the twentieth
century.)

    "Mr. Jukes's work involves the creation  of  the  spiritual
slogans  that  uplift the consumer half of the nation. A few of
these have  come  down  to  us  in  more  or  less  fragmentary
condition,  and  those  of  you  who  have  taken Professor Rex
Harrison's course,  Linguistics  916,  know  the  extraordinary
difficulties  we are encountering in our attempts to interpret:
`Good to the Last Drop' (for `good' read `God'?); `Does She  or
Doesn't  She?'  (what?); and `I Dreamed I Went to the Circus in
My Maidenform Bra' (incomprehensible).

    "At midday, Mr.  Jukes  takes  a  second  meal,  usually  a
community  affair  with thousands of others in a giant stadium.
He returns to  his  office  and  resumes  work,  but  you  must
understand  that  conditions  were not ideal for concentration,
which is why he was forced to labor as much  as  four  and  six
hours  a  day.  In  those deplorable times there was a constant
uproar of highway robberies, hijackings, gang  wars  and  other
brutalities.   The  air  was  filled  with  falling  bodies  as
despairing brokers leaped from their office windows.

    "Consequently it is only natural  for  Mr.  Jukes  to  seek
spiritual  peace  at  the  end  of  the day. This he finds at a
ritual called a `cocktail party.' He and many  other  believers
stand  close-packed in a small room, praying aloud, and filling
the air with the sacred residues of  marijuana  and  mescaline.
The  women  worshipers  often  wear  vestments called `cocktail
dresses,' otherwise known as `basic black.'

    "Afterward, Mr. Jukes may take his last meal of the day  in
a  night club, an underground place of entertainment where rare
shows are presented. He is often accompanied  by  his  `expense
account,'  a  phrase  difficult  to  interpret. Dr. David Niven
argues most cogently that it was cant  for  `a  woman  of  easy
virtue,'  but Professor Nelson Eddy points out that this merely
compounds the difficulty, since no  one  today  knows  what  `a
woman of easy virtue' was.

    "Finally,  Mr.  Jukes returns to his ranch on a `commuters'
special,' a species of steam car, on which he  plays  games  of
chance  with  the  professional  gamblers  who infested all the
transportation systems of the times At home, he builds a  small
outdoor  fire,  calculates  the  day's  expenses on his abacus,
plays sad music on  his  guitar,  makes  love  to  one  of  the
thousands  of strange women who made it a practice of intruding
on campfires at odd hours, rolls up in a blanket  and  goes  to
sleep.

    "Such  was  the  barbarism  of that age--an age so hysteric
that few men lived beyond one hundred years. And yet  romantics
today  yearn  for  that  monstrous  era  of turmoil and terror.
Twentieth-century Americana is all the vogue. Only recently,  a
single copy of Life, a sort of mail-order catalogue, was
bought  at  auction  by  the  noted  collector Clifton Webb for
$150,000. I might mention, in passing, that in my  analysis  of
that  curio  in  the  current  Phil. Trans. I cast grave
doubts on its authenticity. Certain anachronisms  in  the  text
indicate a possible forgery.

    "And  now  a final word about your term examinations. There
has been some talk about bias on the part of the  computer.  It
has  been  suggested  that  when  this department took over the
Multi-III from Biochemistry, various circuits  were  overlooked
and  left  operative,  prejudicing the computer in favor of the
mathematical approach. This is  utter  nonsense.  Our  computer
psychiatrist  assures  me  that  the  Multi-III  was completely
brainwashed and reindoctrinated. Exhaustive checks  have  shown
that all errors were the result of student carelessness.

    "I   urge   you   to  observe  the  standard  sterilization
procedures before taking your examination. Do  not  scamp  your
wash-up.  Make sure your surgical caps, gowns, masks and gloves
are properly adjusted. Be certain that your punching tools  are
in   register   and   sterile.   Remember  that  one  speck  of
contamination on your answer card can wreck your  results.  The
Multi-III  is  not  a  machine, it is a brain, and requires the
same care and consideration you give  your  own  bodies.  Thank
you, good luck, and I hope to see you all again next semester."



    Coming  out  of the lecture hall, Professor Muni was met in
the crowded corridor by his secretary,  Ann  Sothern.  She  was
wearing  a polka dot bikini, carried a tray of drinks and had a
pair of the professor's swim trunks draped over her  arm.  Muni
nodded  in  appreciation,  swallowed a quick one and frowned at
the  traditional  musical  production  number  with  which  the
students  moved  from class to class. He began reassembling his
lecture notes as they hurried from the building.

    "No time for a dip, Miss Sothern," he said. "I'm  scheduled
to  sneer  at  a  revolutionary  discovery  in the Medical Arts
Building this afternoon."

    "It's not on your calendar, Dr. Muni."

    "I know. I know.  But  Raymond  Massey  is  sick,  and  I'm
standing  in for him. Ray says he'll substitute for me the next
time I'm due to advise a young genius to give up poetry."

    They left  the  Sociology  Building,  passed  the  teardrop
swimming  pool, the book-shaped library, the heart-shaped Heart
Clinic, and came to the faculty-shaped Faculty-Building. It was
in a grove of royal palms through which a miniature golf course
meandered, its air  conditioners  emitting  a  sibilant  sound.
Inside   the  Faculty  Building,  concealed  loudspeakers  were
broadcasting the latest noise-hit.

    "What is  it--Caruso's  `Niagara'?"  Professor  Muni  asked
absently.

    "No,  Callas's  `Johnstown  Flood,'" Miss Sothern answered,
opening the door of Muni's office. "Why, that's  odd.  I  could
have  sworn  I  left  the  lights  on."  She felt for the light
switch.

    "Stop," Professor Muni snapped.  "There's  more  here  than
meets the eye, Miss Sothern."

    "You mean . . . ?"

    "Who  does  one traditionally encounter on a surprise visit
in a darkened room? I mean, whom."

    "Th-the Bad Guys?"

    "Precisely."

    A nasal voice spoke. "You are so right, my dear  professor,
but I assure you this is purely a private business matter."

    "Dr.  Muni,"  Miss Sothern gasped. "There's someone in your
office."

    "Do come in, professor," the nasal voice said. "Th...
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