Wonder Wizard Private Files.pdf

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Additions to David Eldridge:

To me, anytime “equivoque” is mentioned, several things pop to mind. One is how to

label objects, actions, and choices. A second aspect is the use of suggestion. As I am

known for these sorts of things, that is what I will try to address.

There is not space here to get into all the details, but the thinking student will

contemplate these notions and be well rewarded for the effort. That has certainly been

my experience at least, and those of my students and readers. I hope you THINK about

these brief clues.

Let’s begin with some simple applications. A client chooses an object, which is not the

one you intend to force. You need another shot at the force. Labeling the first choice as

something different gives you another chance.

You may say “ Yes, good – consciously. Now choose another object subconsciously. Just

quickly, pick up another object without too much thought. Now !” The spectator is

thrown off guard at this stage. They are told to do something they cannot do with

conscious thought. Yet, they still have to “choose” which is, oddly, a conscious thought.

As you are hurrying the spectator along, they must choose quickly and without much

thought. That just means their defenses are down. Chances are high now that they will

choose the force object.

If they do hit this second time, you can point out how you were attempting to influence

the spectator “subliminally” – unconsciously. While people believe they make choices

based on their conscious choices, while they are distracted, their subconscious mind can

be easily influenced. Prove you have done just this as you show the object you had

written down ahead of time. This doesn’t look like a trick – it looks real.

If they still choose something other than the force object, that is fine too. “ Good, you

have now made two choices in the world of the mind as commonly considered. You have

made both conscious and subconscious choices. Some claim there is a third type of

consciousness. Let us put aside the common notions of the mind. Set those objects aside.

Good. We shall now attempt to access the third type of mind as some claim. This is the

mind that is said to be only One Mind – that holds us all within It and holds our every

idea and thought. This is the ‘third aspect of the mind’ that some claim accounts for

telepathy. Let us see. Two objects remain. Let’s imagine there is a third type of mind

and that you can now be guided by it to make the right and most comfortable choice ”.

Of course, you are now home free in a most interesting way. If they choose the force

object, it proves there is a “One Mind” that accounts for how you knew they would do

this ahead of time.

If they leave the force object, you may explain that you believe that all three states of

mind lead to the creation of a fourth type. This is what you might call “fourth

dimensional consciousness”. “ It is the place in mind where all time is now. You may not

believe that, but I can prove it. I went into my own fourth dimensional consciousness and

saw what you would choose, and what you would ultimately leave behind in the fourth

dimension. Read what I wrote down days ago… Welcome to the Twilight Zone ”!

The principle to be aware of behind all of this is simply one of labeling. Instead of

labeling an incorrect choice as what it is, you label it as a success. In this example, each

choice is labeled a success in an aspect or dimension of mind. This also makes for much

conversation and fascination, far more than a clever trick.

Another interesting set-up with which I have had much success is the notion of objects

generating or absorbing energy. “ Which object seems to be radiating more energy than

others? Good! And which object seems to be colder than the rest? Yes ”! Your written

prediction may then display the “ object I was placing my energy upon, which you

yourself noticed ” or “ And this will also send a chill… down your spine… I wrote that

very object down ahead of time ”.

I often combine such labels with suggestion. This can get a bit tricky, but I will attempt

to at least give you a basic feel for it here. Much of my work has such elements involved

in it. Let’s say we would like to force the suit of hearts from a deck of playing cards. We

might begin saying, “ Let’s try a little, gentle, experiment… nothing at all harsh or tricky.

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