script29.pdf

TWIN PEAKS #29

(Episode 2.022)

Mark Frost

Harley Peyton

Robert Engels

Scanned by runningdog.

Original formatting duplicated as closely as possible. For

clarification all duplicate pages removed. Revised lines are bold

with new lines enclosed within [brackets] . Special note: this is a

faithful duplication that includes the original spelling, formatting and

series related errors.

FIRST DRAFT: February 14, 1991

Rewrite / DEPT. HEADS' DISTRIBUTION: February 25,1991

Revised: February 28, 1991 - BLUE

Lynch/Frost Productions, Inc.

7700 Balboa Boulevard

Van Nuys, CA 91406

(818) 909-7900

#2.022

ACT ONE

FADE IN:

1. INT. ROADHOUSE - NIGHT

Cleanup and commotion after the kidnaping. A smoky haze in the air. DEPUTIES clean up

the mess Windom Earle left behind.

2. INT. SHERIFF'S STATION - NIGHT

CUT TO:

Pageant GIRLS enter for questioning. They pass ANDY BRENNEN and LUCY MORAN

in mid-conversation.

LUCY

- and the lights went out. I kept thinking: The lights are

going out, the lights are going out and then they did and

it all went black. And then I kept thinking: What about

hand signals? What good would they do us now? And the

baby. What if the lights when out in hospital, and you

were in the elevator?

ANDY

Then I'd help you have that baby right there in the

elevator in front of God and everybody.

They kiss. Andy whispers romantically.

ANDY

It's a map, Lucy.

What?

LUCY

ANDY

I figured out that the puzzle was a map not a puzzle. I

solved the puzzle.

How?

LUCY

ANDY

Suddenly I saw all the pieces come together. It was sort

of like that old game show, "Concentration?"

3. INT. CONFERENCE ROOM - NIGHT

CUT TO:

COOPER hovers over the hieroglyph/map. HAWK and a second DEPUTY stand to the rear,

(more)

(CONTINUED)

#2.022

3. CONTINUED:

impassive. TRUMAN hurries to join them. More bad news.

COOPER

(hyperfocus)

We know it's a map, Harry, but of what?

(pointing)

The giant and the little man from my dream are there.

Are they telling us to go somewhere? Damn it, where?

TRUMAN

Maybe we should try to find Earle's cabin.

COOPER

That's not where, he is - there's no time.

PETE MARTELL busts into room. Furious and shouting.

PETE

Grand theft, Auto. The Log Lady stole my truck.

(beat)

68 Dodge truck. Powder blue like the dust kicked up at

sunset. I tried to run after it till I saw those beautiful tail

lights turn and head up the road towards -

COOPER

(it comes together)

The woods. Ghostwood National Park.

Truman looks at the map with new eyes. Instantly.

TRUMAN

Here's something, Coop.

(shows him something on the map)

Twelve trees in a perfect circle. There's a place like that

up in Ghostwood, it's called Glastonbury Grove -

COOPER

Glastonbury. That's the legendary burial place of King

Arthur.

PETE

King Arthur's buried near here?

COOPER

No, in England. This feels right, Harry, let's get up

there.

(CONTINUED)

TRUMAN

Earle got away. Nobody saw him or Annie. Sorry,

Coop.

#2.022

3. CONTINUED:(2)

They hurry to the door. The Deputies fall into step.

TRUMAN

Hawk, get Major Briggs from the infirmary, and see if he

can help you find Earle's cabin.

COOPER

You'll find Leo Johnson there. Maybe he can tell us

something about Earle -

TRUMAN

(to second deputy)

Call the State Patrol, I want a dragnet in those woods

leading up to the Grove, then you meet us up there -

Cooper stops at the door. Edgy.

COOPER

Harry, I can't ask you to go.

TRUMAN

Stow it, Coop. Let's roll.

They exit.

4. INT. HURLEY HOUSE - NIGHT

CUT TO:

NADINE HURLEY blances a large ice pack on her head, mind thoroughly elsewhere.

MIKE NELSON escorts DOC HAYWARD to the door.

HAYWARD

Twenty minutes on, twenty minutes off. That should

reduce the swelling. Don't forget the aspirin.

Thanks, Doc.

MIKE

Hayward exits. Mike steps back to Nadine, settles on the couch beside her. Nadine stares

straight ahead, into the dim future.

MIKE

Does it hurt much, baby?

Who?

NADINE

(from another time and place)

Mike lifts the ice bag, gently kisses the growing knot on Nadine's head.

(CONTINUED)

#2.022

4. CONTINUED:

MIKE

I'm sorry you lost.

Who?

NADINE

MIKE

(continued)

God, Nadine I was so worried about you. I admit there

were times when I had my doubts about what we meant to

each other, but seeing that sandbag hit you, I knew that

I'd practically do anything for you.

Who?

NADINE

MIKE

(deep breathe)

I love you. There I said it and I'm glad.

Mike gently cups her chin, turns Nadine's face toward him, offers a passionate kiss. But

Nadine pulls free, looks at him with complete surprise. And a palpable lack of recognition.

Who are you?

NADINE

Mike.

MIKE

NADINE

You try to stick your tongue down my throat and then, as

some sort of explanation, you say your name is Mike ?

What the hell are you doing in my house, anyway?!

MIKE

You, you brought me here.

NADINE

Bullpucky. Take a hike, bozo.

Nadine swats at him. Mike braces for a powerful blow only to fend off a feminine slap. ED

and NORMA walk in the front door.

NADINE

Ed, get over here, this kid's trying to molest me.

(spotting Norma)

What's she doing here?

(CONTINUED)

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