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The Films of Woody Allen, Second Edition
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The Films of Woody Allen
Second Edition
The Films of Woody Allen
is the first full-length work to examine the di-
rector as a serious filmmaker and artist. Sam Girgus argues that Allen has
consistently been on the cutting edge of contemporary critical and cultural
consciousness, challenging our notions of authorship, narrative, perspective,
character, theme, ideology, gender, and sexuality. This revised and updated
edition includes two new chapters that examine Allen’s work since 1992.
Girgus argues that the scandal surrounding Allen’s personal life in the early
1990s has altered his image in ways that reposition moral consciousness in
his work. The union between Allen’s public and private selves that created
a special aura about him remains intact despite the director’s concerted ef-
fort to separate his private life from his screen image. Allen now assumes
a postmodern moral relativism and sensual realism that differ profoundly
from the moral sensibility of his earlier work.
Sam B. Girgus is professor of English at Vanderbilt University. A recipient
of a Rockefeller Fellowship and other scholarly teaching awards, he is the
author of
Hollywood Renaissance: The Cinema of Democracy in the Era
of Ford, Capra, and Kazan; Desire and the Political Unconscious; The New
Covenant: Jewish Writers and the American Idea
; and most recently,
America
on Film: Modernism, Documentary, and a Changing America
.
i
CAMBRIDGE FILM CLASSICS
General Editor:
Ray Carney, Boston University
The Cambridge Film Classics series provides a forum for revisionist studies of the
classic works of the cinematic canon from the perspective of the new Auterism,
which recognizes that films emerge from a complex interaction of bureaucratic, tech-
nological, intellectual, cultural, and personal forces. The series consists of concise,
cutting-edge reassessments of the canonical works of film study, written by innova-
tive scholars and critics. Each volume provides a general introduction to the life and
work of a particular director, followed by critical essays of several of the director’s
most important films.
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