Aesthetics and film - Katherine Thomson-Jones.pdf

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Continuum Aesthetics
Series Editor: Derek Matravers, Open University and
Uiversity of Cambridge, UK
The Continuum Aesthetics Series looks at the aesthetic questions
and issues raised by all major art forms. Stimulating, engaging and
accessible, the series ofers food for thought not only for students
of aesthetics, but also for anyone with an interest in philosophy and
the ts.
Titles available from Continuum:
Aesthetics and Architecture, Edwrd Winters
Aesthetics and Literature, David Davies
Aesthetics and Moraliy, E l i sabeth Schellekens
Aesthetics and Music, Andy Hamilton
Forthcoming in 2008
Aesthetics and Painting, Jason Gaiger
Aesthetics and Nature, Glenn Prsons
AESTHETICS AND FILM
ATHERINE THOMSON-JONES
.�
continuum
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Continuum Intenational Publishing Group
The Tower Building
11Yo rk Road
London
SEl7NX
80 Maiden Lane
Suite 74
New York
NY 10038
www.continuumbooks.com
© Kaherine Thomson-Jones 2008
All rights reserved. No part of this publication may be reproduced or
transmitted in any fom or by any means, electronic or mechanical,
including photocopying, recording, or any information storage
or reieval system, without prior permission in writing rom the
publishers.
British Library Cataloguing-in-PubIication Data
A catalogue record for this book is available from the British Librry.
ISBN 10: HB: 0-8264-8522-7
PB : 0-8264-8523-5
ISBN 13: HB : 978-0-8264-8522-9
PB : 978-0-8264-8523-6
Library of Congress CaIoging-in-ubJication Data
A catalog record for this book is available rom the Library
of Congress.
ypeset by Newgen Imaging Systems Pvt Ltd, Chennai, India
Printed nd bound in Great Bitain by MPG Books Ltd, Bodmin,
Conwall
CONTENTS
Preface
vii
1 Film as an t
1
Scruton: Against ilm as an t
4
Responding to Scuton
6
Amheim: The limitations of ilm mke it an t
8
A contemporry view: The extra capacities
of ilm mke it an t
12
Conclusions
14
2 Realism
16
Bzin: The ilm image is the object
18
Walton: The ilm image is ransparent
23
Walton's citics: The ilm image is not ransprent
28
Curie: The ilm image is highly depictive
31
Does the ilm image really move?
33
Conclusions
38
3 Authorship
40
Who is the cinematic author?
43
Do ilms have authors?
47
Author-based ilm criticism
52
Conclusions
55
4 The language of ilm
57
Film, lnguage and montage
60
Film seiotics
62
Let's face it: Film is not a language ! ,
65
Conclusions
71
v
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