00:00:06:THE SPIRIT OF THE BEEHIVE 00:01:08:"Once upon a time..." 00:01:16:"Someplace in the Castilian plateau,|around 1940." 00:01:44:The movie's coming!|The movie's coming! 00:02:07:Come on, you'll fall. 00:02:10:- How are you doing?|- Hi. 00:02:12:What are you doing here? Go away! 00:02:24:- Look, the movie!|- Wow! 00:02:26:- It's the movie!|- The movie! The movie! 00:02:34:Let me through, let me through. 00:02:41:- When will you show it?|- When? 00:02:44:- It's beautiful, beautiful.|- A horror movie? 00:02:48:Is that all? 00:02:49:- A cowboy movie?|- It's a beautiful movie. 00:02:53:- Are there Indians?|- It's wonderful! 00:02:56:It's the best I've shown. 00:02:58:It's going to be the greatest,|really. 00:03:01:A movie that's... ole! 00:03:06:Tonight, in the town hall, 00:03:10:at 5 o'clock, 00:03:11:there will be cinema 00:03:14:with the movie 00:03:16:"Frankenstein". 00:03:19:The price of the ticket 00:03:21:will be one peseta for adults 00:03:25:and two reales for children. 00:03:56:How's it going, Tomasi? 00:04:00:I hope it's good. 00:04:01:It's magnificent. Magnificent. 00:04:04:Don't start a fire now. 00:04:06:Careful with that brazier. 00:05:02:This film's producers|do not want to present it 00:05:06:without a prior warning. 00:05:09:This is the story|of Dr Frankenstein... 00:05:12:a man of science 00:05:14:who tried to create a living being, 00:05:17:something that only God can do. 00:05:21:It's one 00:05:22:of the strangest stories ever filmed. 00:05:26:It's about the mysteries of creation. 00:05:29:Of life and death. 00:05:32:Prepare yourselves. 00:05:35:You may feel shocked. 00:05:37:You may even feel horrified. 00:05:40:Few films have made such|an impression all over the world. 00:05:45:But I advise you 00:05:47:not to take it too seriously. 00:06:52:Nothing can bring back|the happy days we spent together... 00:06:57:but I pray to God I may have|the joy of seeing you again. 00:07:01:I've always prayed that, 00:07:03:ever since we were separated|during the war. 00:07:07:I still pray for it, in this|remote spot where Fernando, 00:07:10:the girls and I try|to continue surviving. 00:07:16:Only the walls are left|of the house you remember. 00:07:22:I often wonder where the things|we had there ended up. 00:07:26:It's not nostalgia... 00:07:29:It's hard to feel nostalgia 00:07:32:after what we've gone through|these past few years. 00:07:37:But at times, when I look around me 00:07:39:and see so much that's missing, 00:07:42:so much that's destroyed|and also so much sadness, 00:07:46:something tells me 00:07:47:that we've lost, with those things,|our capacity to feel life. 00:07:54:I don't know|if you receive these letters. 00:07:58:The news we hear from outside 00:08:01:is vague and confusing. 00:08:05:Please write soon 00:08:08:so I know you're still alive. 00:08:10:With all my love, Teresa. 00:11:34:Sit down. 00:11:36:Sit down. 00:11:44:He understands me. 00:11:46:Look at that! 00:13:00:Teresa? 00:13:12:Teresa! 00:13:16:Teresa! 00:13:22:Milagros! 00:13:24:Have you seen my wife? 00:13:25:I think she went out. 00:13:29:- Where are the girls?|- At the movie. 00:13:32:Is there any food here? 00:13:34:There must be. 00:13:36:You should eat at the proper time 00:13:38:and come out of the clouds. 00:14:36:Sit down, doctor. 00:14:38:Be patient. 00:14:41:You expected an immediate result? 00:14:43:You have to watch that creature. 00:14:47:It could be dangerous. 00:14:50:Dangerous? You surprise me. 00:14:58:Tell me, haven't you ever|been curious? 00:15:01:What lays beyond|the limit of the known? 00:15:06:You've never wished to see|beyond the clouds and stars? 00:15:09:Or to know what makes trees grow 00:15:12:and shadows change? 00:15:17:If you speak like that,|they call you mad. 00:15:23:But if I could answer|one of these questions, 00:15:27:what eternity is, for example, 00:15:30:I wouldn't care|if they called me mad. 00:15:34:You're young, 00:15:36:overwhelmed by your success. 00:15:38:Wake up and see reality. 00:15:42:A demon whose brain... 00:15:44:Give it time to develop. 00:15:47:It's a perfect brain, doctor. 00:15:50:I can tell you now.|It came from this laboratory. 00:15:54:The brain stolen from my laboratory 00:15:57:belonged to a criminal. 00:15:59:- Will you be long, papa?|- No, I'll just fix the wall. 00:16:04:Why don't you stay|and play with me? 00:16:07:I have things to do, child. 00:16:10:Play with your kitten. 00:16:12:- Goodbye, Father.|- Goodbye... 00:16:15:And be good. 00:16:47:Who are you? 00:16:49:I'm Maria. 00:16:52:Will you play with me? 00:17:08:Would you like one of my flowers? 00:17:33:This is for you and this is for me. 00:17:42:It's like a boat. 00:17:45:See how they float? 00:18:09:Get ready, Maria. 00:18:11:I'll check the roof 00:18:12:and then we'll go to the village. 00:19:00:Isabel... 00:19:07:Why did he kill her? 00:19:15:Why did he kill her? 00:19:16:Silence! 00:19:21:I'll tell you later. 00:19:29:Frankenstein! 00:19:41:By the sign of the Holy Cross, 00:19:44:free us from our enemies, 00:19:47:Lord our God. 00:19:51:In the name of the Father, the Son, 00:19:53:and the Holy Spirit, Amen. 00:19:57:Where did you hide the matches? 00:20:01:In the drawer. 00:20:26:Isabel. 00:20:27:What? 00:20:29:Tell me|what you were going to tell me. 00:20:32:- About what?|- About the movie. 00:20:35:Not now, tomorrow. 00:20:37:Now. You promised. 00:20:42:Why did he kill the girl 00:20:44:and why did they kill him later? 00:20:51:You don't know, you're a liar. 00:20:55:They didn't kill him|and he didn't kill the girl. 00:20:59:How do you know? 00:21:02:How do you know they didn't die? 00:21:05:In the movies it's all fake, 00:21:08:it's a trick. 00:21:10:Besides, I saw him 00:21:13:alive. 00:21:15:Where? 00:21:16:In a place I know near the village. 00:21:21:People can't see him. 00:21:24:He only goes out at night. 00:21:29:Is he a ghost? 00:21:32:No, he's a spirit. 00:21:35:Like the spirit Dona Lucia|talks about? 00:21:39:Yes, but spirits don't have bodies. 00:21:45:That's why you can't kill them. 00:21:48:But he had one in the movie. 00:21:51:He had arms, he had feet, 00:21:55:he had everything. 00:21:57:It's a costume they put on 00:22:00:when they go outside. 00:22:06:If he only goes out at night, 00:22:08:how can you talk to him? 00:22:12:I told you he was a spirit. 00:22:16:If you're his friend, 00:22:18:you can talk to him|whenever you want. 00:22:22:Close your eyes... 00:22:25:and call him. 00:22:28:"I'm Ana." 00:22:33:"I'm Ana." 00:25:06:Someone to whom I recently|showed my glass beehive, 00:25:10:the movement of that wheel|like a clock's main wheel. 00:25:15:Someone who saw the constant|agitation of the panels... 00:25:20:the perpetual buzzing, 00:25:22:enigmatic and maddened,|of the drones over the nests... 00:25:26:the bridges and stairways|that form the wax cells 00:25:30:the invading spiral of the queen... 00:25:33:the diverse and unceasing|activity of the masses... 00:25:37:the ruthless and useful effort... 00:25:40:the comings and goings|with feverish intensity... 00:25:44:the ignored sleeplessness 00:25:46:that announces tomorrow's work. 00:25:49:The final repose of death... 00:25:52:in a place that tolerates|neither sickness nor tombs... 00:25:58:Someone who watched these things, 00:26:01:after staring in awe, 00:26:03:quickly looked away, 00:26:05:his face showing|a nameless and sad horror. 00:29:46:Two and two is four. 00:29:48:Four and two is six. 00:29:52:Six and two is eight, 00:29:54:plus eight is sixteen... 00:29:57:plus eight is twenty-four,|plus eight is thirty-two. 00:30:02:Holy souls I kneel to. 00:30:07:Good. All right.|Put away your things. 00:30:15:Quiet! 00:30:24:Quiet! 00:30:26:Don Jose will get angry. 00:30:42:Good morning, Don Jose. 00:30:44:Good morning, Don Jose. 00:30:47:Poor Don Jose! 00:30:49:Who put him in this state? 00:30:51:You did, teacher! 00:30:53:Let's see, Paulita. 00:30:55:What is Don Jose missing? 00:30:58:- His heart.|- Good. Put it on. 00:31:08:Mari Carmen, 00:31:10:what is the heart for? 00:31:16:For breathing. 00:31:19:Well, you're all so clever|and you laugh. 00:31:23:- So what do we breathe with?|- The lungs. 00:31:27:Show us them. 00:31:33:Put his lungs on. 00:31:36:Put them on him. 00:31:45:Very good. 00:31:46:What is the stomach for? 00:31:49:To put food in. 00:31:51:Good. Put it on him. 00:31:58:Very good. Sit down. 00:32:00:Pay attention. 00:32:01:Don Jose can walk. He can breathe. 00:32:05:He can eat. But... 00:32:11:There's still something 00:32:13:very, very important 00:32:17:he's missing. 00:32:19:His bones. 00:32:21:- His bones.|- His ears. 00:32:22:Ana... 00:32:24:You're very quiet. 00:32:27:What is Don Jose missing? 00:32:31:- His eyes.|- His... 00:32:33:Quiet, Isabel. 00:32:34:Answer when I ask you. 00:32:37:- His eyes.|- Very good. 00:32:40:Come and put them on him. 00:33:01:Don Jose can see now. 00:33:05:See the house with the well? 00:33:08:- Does he live there?|- Yes. 00:33:10:Do you want to go there? 00:33:13:All right. 00:34:35:Isabel! 00:38:15:Mother asked about you 00:38:16:this afternoon. 00:38:21:She wanted to know where you were. 00:38:27:I said you were still at school. 00:38:35:Did you go to the well? 00:38:38:Yes. 00:38:40:Did you see him? 00:38:43:No. 00:38:46:Sure, he doesn't know you. 00:38:50:Father's coming! 00:38:52:Father's coming! 00:39:08:Father, here's one. 00:39:35:- Here's another.|- I'll be right there. 00:39:41:It's bad. 00:39:42:How much do you bet it's good? 00:39:44:Don't touch it. 00:39:50:- It's good, isn't it?|- Let's see. 00:39:58:Yes, that's a good mushroom. 00:40:00:See? 00:40:...
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