KILL BILL vol.1 & 2.pdf

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TABLE OF CONTENTS
PROLOGUE
1. "2"
2. The Comatose Bride
3. The Man From Okinawa
4. Showdown at House of Blue Leaves
5. Yuki's Revenge
6. "Can She Backe A Cherry Pie..."
7. The Lonely Grave of Paula Schultz
8. The Cruel Tutelage Of Pai Mei
9. Elle and I
10. The Blood-Splattered Bride
OVER BLACK
We hear labored breathing.
BLACK FRAME
QUOTE APPEARS:
"Revenge is a dish
best served cold"
- Old Klingon Proverb -
QUOTE FADES OUT
WE STAY ON BLACK
...breathing continues...
Then a MAN'S VOICE talks over the breathing;
MAN'S VOICE (O.S.)
Do you find me sadistic?
CUT TO:
BLACK AND WHITE CU of a WOMAN
lying on the floor, looking up. The woman on the floor has
just taken a severe spaghetti-western-style gang beating. Her
face is bloody, beaten up, and torn. The high contrast B/W
turning the red blood into black blood.
A hand belonging to the off-screen Man's Voice ENTERS FRAME
holding a white handkerchief with the name "BILL" sewn in the
corner, and begins tenderly wiping away the blood from the
young woman's face. Little by little as the Male Voice
speaks, the beautiful face underneath is revealed to the
audience.
But what can't be wiped away, is the white hot hate that
shines in both eyes at the man who stands over her, the
"BILL" of the title.
In another age men who shook the world for their own purposes
were called conquerors. In our age, the men who shake the
planet for their own power and greed are called corrupters.
And of the world's corrupters Bill stands alone. For while he
 
corrupts the world, inside himself he is pure.
BILL'S VOICE (O.S.)
I bet I could fry an egg on your
head about now, if I wanted to.
He continues wiping away the blood.
BILL'S VOICE (O.S.)
No kiddo, I'd like to believe, even
now, you're aware enough to know
there isn't a trace of sadism in
my actions... Okay - Maybe towards
these other jokers - bot not your.
OVERHEAD SHOT
We see for a moment, A WIDE SHOT looking down at the woman on
the floor. Bill (from behind) bent down over her. Four others
in black suits, standing over her (three are female, one is
male). And about four DEAD BODIES lying in their own blood.
We also see we're in a wedding chapel that's been redecorated
by blood death and gunfire. And firstly or lastly, depending
on the viewer, that the woman on the floor is dressed in a
white bridal gown.
This woman is our Heroine, and from this moment forth she
will only be referred to as The BRIDE.
Back to CU of The BRIDE.
The BRIDE on the floor. Her pretty face is wiped clean.
BILL'S VOICE (O.S.)
No Kiddo at this moment, this is me
at my most masochistic.
While still in her CU The Bride speaks for the first time in
the picture. She looks up at the man standing over her and
says;
THE BRIDE
Bill, I'm pregnant. It's your baby.
After saying the "y" in "baby", we hear a BANG and The Bride
receives a bullet in the side of her head.
CUT TO:
BLACK SCREEN: Presentation Credit
"The 4th Film by
QUENTIN TARANTINO"
 
CUT TO:
B/W CU of a Young MAN in a TUXEDO. Shot to death.
The BRIDE speaks to us in a VO;
THE BRIDE (V.O.)
That's Tim, Arthur's best friend.
CU A PRETTY YOUNG WOMAN in a frilly pink dress with two
bullet holes in her.
THE BRIDE (V.O.)
That's his girlfriend Janeen.
CU A PLUMP YOUNG WOMAN, shot to death, wedding bouquet still
clutched in her dead fist.
THE BRIDE (V.O.)
That's my best friend from work
Erica.
AN OLDER MAN IN A BLACK SUIT shot fulla holes.
THE BRIDE (V.O.)
That's the minister. I think his
name was Reverend Hillhouse.
A DEAD OLDER WOMAN by his side in an old-fashioned flower
print dress.
THE BRIDE (V.O.)
That's his wife.
A DEAD OLDER WOMAN slumped over an organ.
THE BRIDE (V.O.)
Organ player, don't know her name.
A YOUNG MAN IN A TUXEDO WITH HIS FACE BLOWN OFF.
THE BRIDE (V.O.)
That's Arthur. Arthur Plympton. The
 
name on his driver's license was
Charles Arthur Plympton, but for
some reason he preferred Arthur.
Maybe if he went by Carles people
would have called him Charlie. If
that was his reason for going by
Arthur I can understand it.
Nothing wrong with the name
Charlie, except he didn't look like
a Charlie, he looked like an
Arthur.
Obviously you'll have to take my
word on this. Speaking of names, I
was about two seconds away from
becoming Mrs. Charles Arthur
Plympton.
And then finally, The Bride.
THE BRIDE (V.O.)
And that, that's me. I'm the Bride.
We do a DISSOLVE from the Bride looking dead in the bridal
gown
To
The Bride, still in B/W, still in a bridal gown, but the
asswippin she took in the scene before must have been in the
past, because she looks like a million dollars
now.......three million even.
INT. CAR (MOVING) - NIGHT
The Bride behind the wheel of a Volkswagen Karman Ghia
convertible. Her long blodne hair whipping in the wind. A
PROCESS SHOT PLAYS behind her.
THE BRIDE (V.O.)
Looked dead, didn't I? Well I
wasn't, but it wasn'T for lack fo
trying, I can tell you that.
Actually Bill's last bullet put me
in a coma. A coma I was to lie in
for five years.
When I woke up, ...I went on what
the movie advertisements refer to
as a Roaring Rampage of Revenge. I
roarded and I rampaged and I got
bloody satisfaction. In all, I've
killed 33 people to get to this
piont right now.
I have only one more.
The last one.
 
The one I'M driving to right now.
The only one left.
And when I arrive at my
destination.....
.... I'm gonna Kill Bill.
TITLE SEQUENCE
As a female-sung ballad of heartbreaking lament plays on the
soundtrack, we see the credits of "Kill Bill" play over the
Bride in her bridal gown, driving to the film's climax.
The sequence ends with the Bride arriving at Bill's home.
WE FADE TO BLACK
BLACK FRAME
TITLE APPEARS:
Chapter one
"2"
CUT TO:
EX CU The BRIDE's EYEBALL IN GLORIOUS COLOR
WE CUT OUT ONE...TWO...THREE...TO A
CU of The BRIDE IN GLORIOUS COLOR
She's sitting in a parked pickup truck. Her eyes focused on
something.
The BRIDE'S POV:
A very homey three-bedroom house in the affluent suburb of
Pasadena, California. A purple Dodge Neon sits parked in the
driveway. A tricylce, a big wheel, and a few toys sprinkle
the grass on the front yard. A mailbox with the name "The
BELLS" on it sits out in front of the lawn. We hear but don't
see ice cream truck bells.
SUBTITLE APPEARS AT SCREEN BOTTOM:
"The city of
PASADENA, CALIFORNIA"
We hear a Car Door Open and Close....THEN....The Bride Walks
into the shot, heading for the front door.
EX CU: A long, white female finger pushes a doorbell.
EXT. RESIDENTIAL PASADENA STREET - DAY
 

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