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Kuji-Kiri and
Majutsu
Sacred Art of the Oriental Mage
ISBN: 978-0-9810613-7-5
Published by: F.Lepine Publishing
www.Flepine.com
Copyrights © 2008
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Table of Contents
Introduction.......................................................................................... 5
Technical overview .............................................................................. 9
Empowering Kuji-In..................................................................... 12
Empowering the hands................................................................. 12
Empowering tools ......................................................................... 14
Empowering symbols ................................................................... 15
Rules of the Art .................................................................................. 19
General rules .................................................................................. 19
Shapes and signs................................................................................. 29
Empowering Kuji-In kanji................................................................ 41
Sample applications ........................................................................... 43
Simple ritual.................................................................................... 43
Complex ritual................................................................................ 45
Symbol appendix................................................................................ 49
RIN related..................................................................................... 49
KYO related ................................................................................... 50
TOH related ................................................................................... 51
SHA related .................................................................................... 52
KAI related..................................................................................... 53
JIN related ...................................................................................... 54
RETSU related............................................................................... 55
ZAI related ..................................................................................... 56
ZEN related ................................................................................... 57
The Elements ................................................................................. 58
Other Useful Kanji........................................................................ 59
Kuji-In ................................................................................................. 61
The 5 Elements .................................................................................. 71
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Introduction
Kuji-Kiri means “Nine symbolic cuts”. It is a technique that
belongs to the esoteric Buddhist tradition. From the outside, it
seems to consist in drawing nine lines in the form of a grid, then
drawing a symbol on the grid. In fact, it is the setting in place of
nine energy structures, that once activated, can empower a
concept represented by the drawn symbol over the grid. This
symbol then interacts with what seems to be reality, and modifies
the structure of the universe according to the desired effects.
In other words, the nine lines that we draw in Kuji-Kiri, are nine
energy concepts that we lay down on a surface or in the air. This
grid is empowered when the person who draws the grid has
activated the nine powers in his consciousness. At this point, the
drawn grid becomes a representation of the matrix of the world,
into which you can summon another conceptual energy.
A Kuji-Kiri user is sometimes called a majutsushi, which
translates as magician or conjurer. ma = pure; jutsu = art;
shi = user. Thus, user of the pure art. Usually, the Kuji-Kiri
users are experienced monks or priests in the Mikkyo (esoteric)
Buddhist tradition, such as Shingon, Ten-Daï, or Shugendo. But
there is sufficient correspondence with the Taoist ways to suggest
that it came to Japan along with Chinese Buddhists who carried
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