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The Philosophy of TV Noir
The Philosophy of Popular Culture
he books published in the Philosophy of Popular Culture series will
illuminate and explore philosophical themes and ideas that occur
in popular culture. he goal of this series is to demonstrate how
philosophical inquiry has been reinvigorated by increased scholarly
interest in the intersection of popular culture and philosophy, as well as to
explore through philosophical analysis beloved modes of entertainment,
such as movies, TV shows, and music. Philosophical concepts will be
made accessible to the general reader through examples in popular
culture. his series seeks to publish both established and emerging
scholars who will engage a major area of popular culture for philosophical
interpretation and examine the philosophical underpinnings of its
themes. Eschewing ephemeral trends of philosophical and cultural
theory, authors will establish and elaborate on connections between
traditional philosophical ideas from important thinkers and the ever-
expanding world of popular culture.
Series Editor
Mark T. Conard, Marymount Manhattan College, NY
Books in the Series
he Philosophy of Stanley Kubrick, edited by Jerold J. Abrams
he Philosophy of Film Noir, edited by Mark T. Conard
he Philosophy of Martin Scorsese, edited by Mark T. Conard
he Philosophy of Neo-Noir, edited by Mark T. Conard
he Philosophy of he X-Files, edited by Dean A. Kowalski
he Philosophy of Science Fiction Film, edited by Steven M. Sanders
he Philosophy of TV Noir, edited by Steven M. Sanders and Aeon J. Skoble
Basketball and Philosophy: hinking Outside the Paint, edited by Jerry L. Walls
and Gregory Bassham
TV Noir
edited by
steven M. sanders
and Aeon J. skoble
THE UNIVERSITY PRESS OF KENTUCKY
The PhilosoPhy of
Publication of this volume was made possible in part by a grant
from the National Endowment for the Humanities.
“An Introduction to the Philosophy of TV Noir” copyright © 2008 by Steven M. Sanders
“Action and Integrity in he Fugitive ” copyright © 2008 by Aeon J. Skoble
Noir et Blanc in Color: Existentialism and Miami Vice ” copyright © 2008 by Steven M.
Sanders
Copyright © 2008 by he University Press of Kentucky
Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College,
Centre College of Kentucky, Eastern Kentucky University, he Filson Historical Society,
Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead
State University, Murray State University, Northern Kentucky University, Transylvania
University, University of Kentucky, University of Louisville, and Western Kentucky
University.
All rights reserved.
Editorial and Sales Oices: he University Press of Kentucky
663 South Limestone Street, Lexington, Kentucky 40508-4008
www.kentuckypress.com
12 11 10 09 08 5 4 3 2 1
Library of Congress Cataloging-in-Publication Data
he philosophy of TV noir / edited by Steven M. Sanders and Aeon J. Skoble.
p. cm. — (he philosophy of popular culture)
Includes bibliographical references and index.
ISBN 978-0-8131-2449-0 (hardcover : alk. paper)
1. Detective and mystery television programs—United States—History and criticism.
2. Fantasy television programs—United States—History and criticism. 3. Film noir—
United States—History and criticism. I. Sanders, Steven, 1945– II. Skoble, Aeon J.
PN1992.8.D48P45 2008
791.45’61—dc22 2007029906
his book is printed on acid-free recycled paper meeting the requirements of the
American National Standard for Permanence in Paper for Printed Library Materials.
Manufactured in the United States of America.
Member of the Association of
American University Presses
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