Basics Photography - Working in Black & White.pdf

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Basics Photography: Working in Black & White

BASICS

Photography

David Präkel

06

BLACK & WHITE

n

in black, white, shades of grey

and no other colour

WORKING IN

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BASICS

PHOTOGRAPHY

06

Working in Black & White

David Präkel

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An AVA Book

Published by AVA Publishing SA

Rue des Fontenailles 16

Case Postale

1000 Lausanne 6

Switzerland

Tel: +41 786 005 109

Email: enquiries@avabooks.ch

Distributed by Thames & Hudson (ex-North America)

181a High Holborn

London WC1V 7QX

United Kingdom

Tel: +44 20 7845 5000

Fax: +44 20 7845 5055

Email: sales@thameshudson.co.uk

www.thamesandhudson.com

North American Support Office

AVA Publishing

Tel: +1 908 754 6196

Fax: +1 908 668 1172

Email: enquiries@avabooks.ch

English Language Support Office

AVA Publishing (UK) Ltd.

Tel: +44 1903 204 455

Email: enquiries@avabooks.ch

Copyright © AVA Publishing SA 2009

All rights reserved. No part of this publication may be reproduced, stored

in a retrieval system or transmitted in any form or by any means,

electronic, mechanical, photocopying, recording or otherwise, without

permission of the copyright holder.

ISBN 2-940373-85-X and 978-2-940373-85-7

10 9 8 7 6 5 4 3 2 1

Design by Gavin Ambrose, illustrations by David Präkel

Production by AVA Book Production Pte. Ltd., Singapore

Tel: +65 6334 8173

Fax: +65 6259 9830

Email: production@avabooks.com.sg

All reasonable attempts have been made to trace, clear and credit the

copyright holders of the images reproduced in this book. However, if any

credits have been inadvertently omitted, the publisher will endeavour to

incorporate amendments in future editions.

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2_ 3

Arcade (above)

Interior of the Barton Arcade, Manchester. In the original image, colours were muted but

this black-and-white conversion – reducing the image to tone, line and form – strengthens

the feeling of light cascading through this Victorian building and that the viewer is within a

light-filled space.

Photographer: David G Präkel.

Technical summary: Nikon D100, Sigma 10–20mm f/4-5.6 EX DC HSM super wide-angle zoom at 10mm, 1/160

at f/6.7, ISO 200, conversion based on Adobe Lightroom Antique Greyscale preset.

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Contents

How to get the most out of this book

6

Introduction

8

Basic theory

10

The art of black

and white

Lighting

60

34

Black and white and

greyscale

Quality

62

12

Learning to ‘see’

in black and white

Direction

64

36

History

14

Subject contrast

66

Previsualisation and

composition

Photograms

16

38

Lighting contrast

68

Colour to black

and white

18

The great themes

40

Subject brightness

range

70

Older cameras/lenses

for a unique look

Filtration

22

58

Metering

72

Contrast

28

High-key and

low-key imagery

76

Infrared

78

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