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Seiðr, seið, Sol-Iss-Þurs and Nordic shamanism
Yves Kodratoff
This article is composed of two very different parts.
The first part is personal, and it exposes my practice of seiðr, by comparing it several
times to the one coming from Diana Paxson’s group and in Jordsvin’s papers. I thus
recommend to read at first these papers before mine. The second part explains and
supports my own practice of seiðr, but the facts it contains are independent of any belief.
It is subdivided in two sections. The first is a rather scholarly description of the linguistic
problems involved with the word seiðr in Old Norse, the ancient Norwegian, (and
Icelandic, Danish, Swedish) language, used in the sagas and the Eddic and Skaldic
poems. The second is an annotated presentation of the runic inscriptions referring or
alluding to seiðr.
On seiðs practice
I was not fortunate enough to meet someone like Diana Paxson, nor a group of persons
devoted to reconstruct such a seiðs practice that might reconcile the scarce written
tradition available to us, and the present day ethical choices. Even though I know nothing
of group seiðs practice, I do feel strongly my belonging to the ‘seiðfolk’, as Jordsvin calls
them. I thus worked the seiðr in isolation but, inversely, I had, over the years, the luck to
practice several different approaches to ‘non Nordic’ shamanism in various settings. I
therefore use the so-called classical shamanic techniques to deal with some of the
problems instead of using systematically seiðr. For instance, both American Indian and
Siberian shamanisms include the re-gathering of lost soul parts, the cutting of abusive
soul links, different kinds of spiritual counseling, and the hard psychopomp work, that is,
convincing the souls of the dead ones to accept the lo ss of life and helping them to join
the realm of the Dead. I followed the teachings of many master shamans and the most
influential one has been Sandra Ingerman. I strongly suggest the reading of
[Sandra Ingerman, Soul Retrieval : Mending the Fragmented Self, Harper San Francisco,
1991].
It follows that, in the surface, I look like some Heathens who use the word seiðr for a
kind of active magic, mostly of an aggressive and destructive type, but this is due to no
theory of mine. It simply follows from some random choices that happened during my
life. Anyhow, as I shall explain now, I do not believe that it is possible to oppose a nice
shamanism to a harmful seiðr. More generally, I strongly oppose the concepts of ‘black
magic’ and a ‘white magic’: obviously people have varied social and ethical positions,
but magic is of one unique brand. My shiatsu master liked to say that there is a feature,
strongly common to the shiatsu healer and the samurai, which is that both have to single
out, at first sight, the weakest point of the person standing in front of them. This point
shows where Death starts worming its way in this person. Both move fast their hand
towards this weakest point. The samurai does it to increase Death’s speed in his
opponent, the shiatsu healer does it to reduce this speed in the patron. Any society
produces its own shiatsu healers, and its own samurais. We are only able to try, as much
as our social ranking allows us to do so, to choose which class we wish to belong to.
Since I have always been interested in understanding the why and the how of illness, I
practice seiðr mainly as a healing technique. It seems to me however obvious that the
knowledge used for healing could be very easily used also for the sickening, almost in the
same way. We shall now analyze the example of shiatsu, which is further from magic
than seiðr, thus easier to tell in words. In principle, the work of a shiatsu healer is finding
out which parts of the sick body possess some excess of energy (excess of ki, we call
jitsu) and which ones lack energy (lack of ki, called kyo). An optimistic view of reality
could lead some persons to believe that kyo and jitsu should have a natural tendency to
balance themselves. This is partly true in the healthy body, but the sickness is nothing but
an evidence that the imbalance is fixed and now stable in the sick body. The hard part of
the healer’s work is to fight this acquired tendency of the sick person. We observe
sometimes the contrary among the beginners who confuse jitsu and hard- under-the-hand,
and kyo and soft- under-the-hand. Fortunately, they are usually also very bad at balancing
the energies and their treatment is harmless, if useless. I know that what I will now say,
may cause stomach heaving to shiatsu healers who read this, since we are so intensely
trained towards fighting illness. Nevertheless, that it is a beginner’s mistake, hints
strongly at the possibility it is easier to perform than the normal healing treatment. I
cannot witness directly the truth of my hypothesis since I never tried to practice this
harmful shiatsu, but I am quite convinced that a well- trained shiatsu healer, moved by
hate or greed, could very well reinforce the imbalance of ki causing the sickness, thus
sickening rather than healing the patient.
Similarly but in a still more irrational way, seiðr tries to reenact a balance that has been
destroyed for any number of reasons. A destructive magician (called an adept of ‘black
magic’) must observe the potential victim, spot the victim’s weakest point and push
forward in the same direction as the forces creating this weakness. The sagas offer us
description of harmful magical behaviors that follow exactly the pattern I just described.
There are also obvious cases of constructive magicians (‘white magic’ adepts) who
oppose the irrational forces that created weakness in their patron, they are seldom
described since they are not very interesting in a story.
There will always exist people that find it more interesting to destroy than to build, but all
of them use de same magic which, as the natural forces and human knowledge, is neither
good nor bad, but exactly neutral.
When starting to learn how to deal with illness, I was able to choose my side, which is
not the samurai’s one. I am therefore politically correct, but I find it ridiculous to be too
proud of it. There have been ‘alrunae’ who used to practice harmful magic, probably
using the runes in view of their name, within the Gothic armies, until the 3 rd -4 th centuries
AD. They played the role of samurai magicians in order to destroy the enemy, such was
the society they lived into, and they might have not been so free to choose their way. I
absolutely refuse to call them ‘wicked’ and ‘witches’, seeing them rather as my sisters,
even if those that enjoyed their position do not look very attractive to me. This kind of
fighters using magic must have been used quite late in our era since the Inquisition
castigated them so much.
[Jordanes, Getica, around 550 AD] and [Kramer et Sprenger, Malleus Maleficarum,
1486]
As a side remark, I find it anyhow ridiculous to look for social power through magical
means: If you are obsessed by power, try banker or industrialist, these roles are much
more efficient for this purpose!
It happens nevertheless that the magicians’ role becomes hard to agree with when they
bear heavy social responsibility, as was the rule in ancient societies. For instance, we find
witnessing of Siberian shamans who ‘fly away’ to ‘steal the soul’ of person they judge of
secondary importance, in order to ‘grant’ it to their patron who recovers health in this
way. This behavior is also attested quite late by Inquisition reports, as for instance Pierre
de Lancre who says:
“As if we heal by the means of these stupidities, this is temporary: & if (it happens) by
chance (then) the sickness removed by a witch & (will be) given to someone else of
higher stature & and whose death is hundred times more important than the first one
whom the illness was removed from.” [1]
[Tableau de l'inconstance des mauvais anges et démons, par Pierre de Lancre à Paris chez
Nicolas Buon, 1613]
The shamans of the past would hold social roles much different from today shamans. The
role of deciding, in some specific cases, who is going to live or die is now in the hands of
the medical doctors who can decide to stop intensive care of a no-hope patient in case it
would save another one. It is obvious that Inquisition, among other things, managed to
convince its ‘witches’ that they no more held such a responsibility.
Working with such an active seiðr has yet other consequences on the health of the
practitioner, but I strongly dislike to speak of this problem except among fellow seiðfolk.
Just recall that those working with the ki energy are well-known for catching cancer
easily, even before this sickness became so popular due to pollution. For instance, the
‘old witches’ have always been shown with a wart covered face: Do not believe this was
nothing but a lie to debase them.
Nordic texts relative to seiðr
In Old Norse, a seeress using seiðr to perform her foreseeing is called a völva. Many texts
speak of the völva, for example Vatnsdæla saga reports that during a feast
“[the hosts] prepared a seiðr in the old heathen fashion, so that men could examine what
the fates had in store for them. A Lapp völva was amongst those present. ... The Lapp
woman, splendidly attired, sat at the high seat. Men left their benches and went forward
to ask about their destinies. For each of them she predicted that which eventually came to
pass …”
[Old Norse web version available at http://www.snerpa.is/net/isl/isl.htm.
English translation : either mine or from The complete sagas of Icelanders, Viðar
Hreinsson (Ed.), Leifur Eiríksson Publishing, 1997]
In some cases, the shamaness is lying on a special scaffolding and goes in a trance
induced by a special song . We find an example of that in Eiríks saga rauða (‘saga of Erik
the Red’). The völva asked for a warlock song sung by ladies of the company before she
could start her art :
“Bað hún fá sér konur þær sem kynnu fræði (fræði = traditional knowledge often tainted
with magic), það er þyrfti til seiðinn að fremja og Varðlokur heita. En þær konur fundust
eigi.”
“She asked for women who knew the traditional knowledge required for carrying out
seiðr, which is called guardian-spirit (‘ward’) songs. But such women were not to be
found.”
The complete sagas of Icelanders adds the footnote : “Ward songs (varðlokkur) were
chants likely intended to attract the spirits to the sorceress, who was enclosed in a ring of
wards as described below.” Anyhow, varðlokur is translated as it is here in
[Cleasby-Vigfusson, An Icelandic-English Dictionary, 1962 edition].
The saga of Erik the Red stresses later that very good results were obtained (i.e., the spirit
wards agreed to come) because the only woman who knew these ward-songs sung them
particularly well.
These ward-songs are obviously forgotten now, and I consider that one of the duties of
the seiðfolk is to attempt finding them again. I presently try to check some music
collected at the end of the 18th century by J. Acerbi.
[Joseph Acerbi, Travels through Sweden, Finland, and Lapland to the North Cape in the
years 1798 and 1799, J. Mawman, London, 1802]
This explains why I never use a drum to practice seiðr, and that I prefer song to drum,
even in the more traditional shamanism.
Note however that the saga stresses that women only are aware of this traditional
knowledge, and that confirms that Diana Paxson was right to recreate seiðr with a group
of women. This is why I am simply documenting the ward-songs, and I will have to ask
confirmation from women to help me, as I do always in my seiðs practice.
Another example shows that Germanic shamans used ‘soft’ techniques to perform their
journeys. It is provided by Orkneyinga saga (‘The history of the earls of Orkney’). One of
the saga characters consults a seer who declares :
“These believers [the Christians] behave in a very strange way, depriving themselves of
food and sleep so as to be informed about that which they desire to know; despite all their
efforts, the higher the stakes are, the less they find. People like me do not bother with
self-punishment, and are able to easily find what their friends want to know.”
Finally, and as a second example of a male performing seiðr, Gísla saga Súrssonar (‘Gisli
Sursson’s saga’) reports a very powerful sorcerer, Thorgrim the Nose. In this saga,
‘sorcerer’ is actually seiðskratti, where skratti refers to the strange noise made by the
performer of the seiðr. It reads classically :
Thorgrim the Nose performs the seiðr, prepares himself as usual, builds a scaffold and
devotes himself to his sorcery, with all its spells and evil-doings.
The original Old Norse says that Thorgrim the Nose prepared his seiðr “með allri ergi ok
skelmiskap.” While skelmiskap means indeed ‘devilry’ or ‘evil-doing’, ergi features a
man who has been buggered, so that it seems that Thorgrim the Nose received sodomy
while preparing his seiðr.
We find another example of a seiðr performed by Lapp shamans who foresee correctly
but they are unable to bring back an object, as they had been asked to do. They do try to
modify physical reality but fail in this task. Many more information will be found in the
excellent paper of H. R. Ellis Davidson : “Hostile Magic in the Icelandic Sagas,” that
gives many examples of this kind of behavior.
[published in : The Witch in History Venetia Newall (Ed.) Barnes & Noble, NY 1996].
Passiveness, homosexuality, and seiðs practice
Why seiðs practice would become an insult or a curse for the medieval people of
Northern countries is a challenging question we shall examine now. As striking examples
of this hate for seiðr, the warden of a grave is this formula, a seemingly dreadful one :
“Let him practice seiðr who will desecrate this grave !” We will also report of a runic
inscription in which the ‘wolf’, fought by the inscription, is cursed by a “Enjoy seiðs
practice !”
Even the highest of the Nordic Gods, Óðinn (Odin), is said to have been buggered
because he participated in a shamanic séance. Loki, in the Lokasenna says to Óðinn:
« You practiced magic in Samsey
[2]
And, there, you received sodomy. »
The word used by Loki is argr (written in runes as arageu on the runic inscriptions of the
Stentoften and Björketorp standing stones we shall study later), an adjective form of ergi.
It qualifies either a man who has been buggered or who is sexually impotent. Óðinn is
better known for his lechery with women that anything else, thus Loki can accuse him
nor to be sexually impotent nor homosexual. That Loki accuses him to be argr is then
better understood if sodomy is part of the seiðr séance, and Óðinn receives this treatment
as a kind of accident, necessary to practice seiðr.
This and the story of Thorgrim the Nose leads us to suppose that the preparation of the
seiðr séance included a buggering of the sorcerer. It is obviously possible that the words
used in these texts had been said in a figurative mode as the translators do, who tend to
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