Jeanne Cavelos - Passing of the Techno-Mages 01 - Casting Shadows.txt

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                               BABYLON 5. 

                      Passing of the Techno-mages. 

                                Book 1

                            Casting Shadows

                           by Jeanne Cavelos

                          Issuance: mart 2001


                                          getting : 儺き氅 潰 冟毵
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                                          upload : 03.VI.2006

     To Lio F. Ferris...
     Who are you?


     Many folks for the first time
     saw itself in one's sleep.
     Anonym.


     NOVEMBER 2258

     Chapter 1

     Soon the war would come.

     With a cry of joy Anna swooped toward  the  barren  moon,  her  sisters
behind her. As her sleek body cut through the invigorating vacuum of  space,
she surveyed the training; site eagerly, hungry for challenge. The  Eye  had
specified the coordinates to be attacked. This exercise was to be  at  close
range, surgical, precise.

     Anna loved training, exploring her abilities, honing; her  skills.  She
had learned the dizzying delight  of  movement,  the  exhilarating  leap  to
hyperspace, the grace of flexion, the joy of the war cry. She had learned to
deliver from their confinement great balls of destruction; to calculate  the
most efficient patterns of attack; to engage and never break off, not  until
the enemy was utterly destroyed.

     This would be the first time she uttered her war cry.  As  she  wheeled
toward the target, Anna held her body in perfect control. She felt tireless,
invulnerable. The machine was  so  beautiful,  so  elegant.  Perfect  grace,
perfect control, form and function integrated  into  the  circuitry  of  the
unbroken loop, the closed  universe.  All  systems  of  the  machine  passed
through her; she was its heart; she was its brain; she was the machine.  The
neurons firing in harmony. She synchronized the cleansing and circulation in
sublime  synergy.  She  beat  out  a  flawless  march  with   the   complex,
multileveled systems. The skin of the machine was her skin;  its  bones  and
blood, her bones and blood. She and the machine were one: a great engine  of
chaos and destruction.

     The rocky brown surface of the moon grew closer, taking on  definition,
detail. She located the seven  targets,  boulders  within  a  wide,  shallow
crater. She and her six sisters were each to destroy one. She  narrowed  her
focus to her  assigned  target,  coordinated  her  speed  with  her  course.
Excitement gathered in her throat. She plunged into the crater and  shrieked
out her war cry. Her body rushed with an ecstasy  of  fire.  Energy  blasted
from her mouth in a brilliant red torrent. The boulder was vaporized.

     Around her, her sisters fell upon the targets, their  mouths  screaming
destruction.

     Chaos through warfare,  the  Eye  said.  Evolution  through  bloodshed.
Perfection through victory.

     One of the targets was not completely destroyed. A  fragment  remained.
Anna pounced on it, eager to scream again. She  targeted  it,  screamed  out
chaos. The exhilaration shot through her. The fragment  was  obliterated,  a
hole scorched into the surface below.

     Excited by the activity, her sisters fell upon the  vanquished  target,
shrieking out a cacophony of chaos.  Particles  of  rock  flew  up  as  they
blasted a great hole into the moon, firing again and again. Anna drew energy
up into her mouth, screamed it out in blazing red.



     * * *


     The greatest excitement is the thrill of  battle,  the  Eye  said.  The
greatest joy is the ecstasy of victory. Anna's greatest desire was  to  feel
it. And she knew she would soon. For soon the war would come.

     The ship sang of the beauty of order, of perfect symmetry and  ultimate
peace. It glided through the calm blackness of space, absorbing  it.  Energy
circulated through its petals in a  regular  rhythm.  The  serenity  of  its
silent passage, the unity of its functioning, the  satisfaction  of  service
wove through its melody.

     Ahead, a blue-and-white orb glowed in the blackness, the  goal  of  the
journey. The ship slipped through the stillness toward it, following  Kosh's
direction eagerly. Obedience was its greatest joy.

     Within the song, Kosh slowed the ship's speed, directing it to  stop  a
safe distance from the planet, which was known to its inhabitants  as  Soom.
Although most of the planet's inhabitants had little technology,  two  lived
among them and served as guardians, two  fabulists,  who  would  detect  his
presence if he went too close.

     Soon more would come as the fabulists gathered  for  their  assemblage.
Long had Kosh watched them, for three hundred  and  thirty  and  three  such
assemblages. He had watched as different races had  become  dominant  within
the group, the most recent being Humans. He had  watched  as  the  fabulists
gradually  transformed  from  anarchy  to  order.  They  had  achieved  some
admirable goals, had created fleeting moments of great beauty.

     But now the universe was gathering itself for  a  great  conflagration.
The forces of chaos had returned to their ancient  home  and  had  begun  to
build their resources for  war.  The  Vorlons,  Kosh  among  them,  likewise
prepared. The fabulists did not know the  danger  of  their  position.  They
carried great power. They could be the pivot on which the Great War turned.

     Many among the Vorlons thought the time for action. was now.  They  did
not trust the fabulists. Yet Kosh felt they must watch just a while  longer.
The fabulists faced a difficult, decision, and they  should  be  allowed  to
make it. If they chose wrongly, then they would  die.  But  let  them  first
choose. Heat power carried both great danger and great possibility.

     Kosh altered the ship's song, directing the  ship  to  extrude  several
buoys, which would take up positions around the planet and observe it.  Then
he would return to Babylon 5. And he would watch this one, last assemblage.



     * * *


     Galen closed his eyes and focused on the equation. He  thought  of  all
his spells as equations,  though  they  weren't  anything  like  traditional
scientific ones. The terms  of  his  equations  were  complex  and  bizarre,
impenetrable and irreducible.  Yet  to  him  they  represented  actions  and
properties, and if he could form an  image  in  his  mind  of  a  particular
equation, he could conjure the thing it represented.

     Like most spells, this one  had  many  terms:  several  to  generate  a
pinkish translucent sphere three inches across, another to  generate  energy
within it, yet more to give that energy the appearance of a delicate  flame.
He'd done this one many times.

     Taking a  deep  breath,  he  imagined  his  mind  as  a  blank  screen,
visualized the equation written upon it. The chrysalis, fastened to his head
and spine, acknowledged the equation by echoing it back to him. Galen opened
his eyes. The ball of energy floated in front of him.

     "Around  the  hall,"  Elric  ordered  from  behind  him,  gripping  the
tail-like section of the chrysalis that ran down his spine.

     His teacher's voice, deep and rich, carried a power that had  at  first
intimidated Galen. Later, when Elric taught him the  techno-mage  techniques
of voice modulation, Elric's voice and the  skill  with  which  he  used  it
amazed Galen. By extending certain sounds, pausing at specific  places,  and
modulating his intonation to almost hypnotic effect, everything he said took
on heightened power and importance.

     Holding the image of the original equation firmly in  his  mind's  eye,
Galen added another, a spell for movement. One equation  took  the  ball  of
energy from the center of the modest training hall, where it hovered  before
him, to the hall's stone  wall.  Another  equation  sent  the  ball  into  a
circular course around the hall. The ball circulated a few  feet  below  the
thatched  ceiling,  where  several  of  Elric's  light  globes  floated  for
illumination.

     "A second ball," Elric commanded.

     Holding the original equation and the equation for circular movement in
his mind's eye, Galen conjured a  second  ball.  The  chrysalis  echoed  the
spell, reflecting his thought.

     "Change the flames to flowers," Elric said.

     Galen concentrated on the equation for the second ball, specifically on
the terms that generated the flames. Below them,  he  visualized  the  terms
necessary to create an image of white kwa blossoms. Then he  moved  the  new
set of terms up, replacing the old. The flames changed to flowers.

     "Triple speed first ball."

     With intense focus, Galen kept the two  equations  for  the  two  balls
firmly in his mind, and at the same time altered  the  equation  of  motion,
tripling the velocity of the first ball's circular course. The effort caused
his breath to come faster now.

     "Second ball up and down."

     Maintaining the images of his three spells  on  the  imaginary  screen,
Galen formed an equation that sent  the  second  ball  up  to  the  thatched
ceiling, then a new equation to send it back and forth between  the  ceiling
and the woven grass mat that covered the floor. The ball of flowers began to
zip up and down.

     "Third ball with a piece of lint in it."

     Galen held his focus. Elric tried to use odd requests to throw him off,
to make him lose concentration. But he would not. He formed an equation  for
the third ball, giving it a dark interior so that the image of a tiny  fleck
of white lint inside would be visible. The third bal...
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