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PICTURE FRAMES
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Painted Pine Frames
Our first two frames are made from pine and
are great candidates for a paint finish. They
feature standard moldings available at well-
stocked home centers (below we give the
molding's reference number in addition to its
common name). For all the frames, it's best
to cut the rough materials about 2 or 3 in.
longer than necessary before ripping to width
or machining.
Frame 1 uses base cap molding (No. WM
166) and flat pine stock. Rip four 3/4 x 1-1/4-
in. pine pieces and glue lengths of 1/4 x 1-
5/8-in. lath to each. Place them face to face
with the edge of one piece flush with the
adjoining piece. Use spring clamps to hold
the assembly while the glue sets. Then,
spread glue on the back of the molding and
clamp it to the top of the lath (Photo 1). Make
sure that the outer edge of the molding
aligns with the flush edge of the flat-stock
assembly.
Next, cut the four laminated frame members
to size with a miter saw (Photo 2). Use a
small brush to spread glue on the mitered
ends and assemble the frame in a miter
clamp (Photo 3). Check that all corner joints
remain tight as you tighten the clamp. After
the glue has cured, remove the frame from
the clamp and drive small brads into the
corners to reinforce the joints.
Next, rip pieces of 1 x 2 to 1/2 in. thick and
miter them to fit around the perimeter of the
frame. Apply glue and clamp them to the
frame with spring clamps (Photo 4).
After gluing a 1/4-in.-thick lath to a 3/4-in. backer, add the molding to
the lath. Use spring clamps to apply pressure.
Use a miter saw to make the 45° cuts at both ends of each piece. Make
sure opposite pieces are the same length.
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Spread glue on the mating surfaces and assemble the sides in a
frame clamp. Use brads to strengthen joints.
Cut banding strips of 1/2 x 1-1/2-in. pine to length with mitered ends.
Glue these to the outside of the frame.
Frame 2 features a panel molding (No. WM
8174) and a 5/8-in. half round (No. WM 123),
glued to 1 x 3 pine. After cutting the stock to
rough length, spread glue on the back of the
molding and use spring clamps to hold it to
the 1 x 3 until the glue sets. Keep the panel
molding flush to one edge and the half round
flush to the opposite edge. When the glue is
dry, use a dado blade in your table saw to
cut the rabbet along the inner edge of the 1 x
3 (Photo 5). Then, miter the frame stock to
exact length.
Since this frame is wider than the first, you
can use No. 0 joining plates to reinforce the
corners and eliminate the need for brads.
Mark centerlines for the plate slots in the
mitered ends of the frame stock and cut the
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slots (Photo 6). Spread glue on the mitered
faces, in the plate slots and on the plates,
and assemble the pieces in the frame clamp
to pull the corners tight. After about 20
minutes, use a small chisel or putty knife to
remove any glue that has squeezed from the
joints.
To finish these painted frames, first lightly
sand with 150- and 220-grit sandpaper. Then
apply an aerosol spray finish, following the
manufacturer's instructions. We used Rust-
Oleum Hammered Gold (No. 7210) and
Hammered Silver (No. 7213) for our frames.
Frame 2 uses two moldings glued to 1 x 3 stock. Cut the frame rabbet
with a dado blade and table saw.
Reinforce the corners of wider frames with plate joints. Mark the
centerlines and cut slots for No. 0 plates.
Hardwood Frames
Another approach to building frames is to use
hardwood with either a clear or stained finish.
In each of the following designs, we've
combined different woods to create patterns
of contrasting colors and textures. After
building four oversize pieces of frame stock
for each design, use a dado blade or router
table to cut the 3/8-in.-wide frame rabbet on
the inner edge of each piece. Then, use a
miter saw to cut the pieces to precise length
and join the corners with plate joints.
Frame 3 is constructed of mahogany with
wenge inlay. Begin by ripping 13/16-in.
mahogany to 2-1/4 in. wide. Crosscut the
stock to rough length, then readjust the saw
blade and cut two 1/8-in.-deep kerfs in the
face of each piece. Use a band saw to rip 1/8
x 1/4-in. inlay strips of wenge. Run a bead of
glue into each saw kerf and press the inlay
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strips into place. Use spring clamps to hold
them while the glue cures (Photo 7). When
the glue is dry, use a plane or sharp cabinet
scraper to trim the wenge flush to the
mahogany surface. Then, install a chamfer bit
in your router table and bevel the two top
edges of the frame stock.
Frame 3 has two inlaid strips. Cut the slots on a table saw. Glue the
strips in place and rout a chamfer on the edges.
Frames 4 and 5 are variations on the same
theme. For the first design, rip curly maple
strips to 1/2 x 1-1/16 in. and glue them to the
edges of a 13/16 x 1-1/2-in. walnut field
(Photo 8). Keep all pieces flush on the back
side of the frame.
For the second variation, rip 1/2-in.-thick
cherry stock to 2-1/2 in. wide. Use a router
table with a chamfer bit to shape all four
edges of the cherry, then rip the molded stock
into 15/16-in. strips (Photo 9). Glue these
strips to both edges of a bird's-eye maple
field.
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