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Vinegar Marbling
Vinegar Marbling
By Marianne Van Beelen
I have always been intrigued by the beauty
of marbled paper, wanting for years to try it
myself. The problem is that ingredients for mar-
bling, such as turps, make me very ill, so it never
happened. Then a few weeks ago I found a book
about making decorative paper and describing a
very old technique called vinegar marbling. The
ingredients were only sugar and vinegar so it
seemed ideal.
There were no pictures in the book so it all
sounded rather intriguing and I decided to try
it at once. I was really pleased with the unusual
results, they are like crystal patterns rather than
marbling as we know it.
The technique has the advantage of being
very quick and easy to do and you can make
quite a number of marbled papers in a short
time, but you do have to work fast. Each card
you make will be unique and I am sure you will
enjoy vinegar marbling very much. Okay, there
are some points against it too – it is messy and
sticky and the marbled papers have to dry for at
least a couple of days before you can use them.
Materials Required:
Ordinary White vinegar.
White icing sugar.
Container to mix ingredients, a plastic cup
with a lid is ideal for this.
White card 2cm larger than the aperture.
Water soluble ink, silk paint or food colouring.
Flat paintbrush size 10.
Round brush for ink approx. size 4 to 6.
Large piece of corrugated cardboard.
Old newspapers.
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4 Sticky fixer pads and dressmakers pins.
soon as the card begins to dry the the crystals
will no longer form. I use a size 10 flat brush,
but the exact size is not important. Dip the flat
brush into the vinegar solution and paint one
card, a thick layer works best and make sure
you cover every bit of the card which will be
inside the aperture area before going quickly
on to the next step.
Here comes the fun part! You can never tell
what the exact result will be - just wait and see
what happens. Load a round brush with ink
and drop blobs onto the card, you will see small
crystals appear where each blob falls onto the
card. You can cover the card with small crystals
but I find it looks better if you go for one large
crystal or a mixture of sizes.
To make larger crystals, load the brush with
ink and touch it onto the card where you want
the large crystal to appear, if you want to make
the crystal even larger add more ink to the out-
side of the crystal. If you want a smaller crystal,
touch the card more lightly, or with a smaller
brush where you want the crystal to appear.
Yo u will have to experiment for yourself
and see what you like best, but that is all part
of the fun and it is very interesting to watch the
crystals form as they appear on the card.
As the ink spreads you naturally get several
different shades of colour and this effect is even
stronger after drying, but there is no reason why
you shouldn’t use more than one colour ink on
any card. Don’t forget to clean the brushes after-
wards, especially the vinegar solution brush or
you will end up with a lollipop!
Once the cards are dry to the touch and no
longer sticky (usually about two days), you can
mount them
into your card
blanks.
I like to
add extra little
details to my
crystals, like
small, glittery
stones or shiny
sequin birds.
It’s good to
rediscover old
techniques and I
hope you enjoy
making these
cards as much
as I have.
P. V.A. Craft Adhesive.
Card mount of your choice.
To Make The Cards:
Start by making a vinegar mixture. To make
four or five cards add one tablespoon of vinegar
and two tablespoons of sugar to the plastic cup,
put the lid on firmly and shake well until the
sugar is dissolved. This can be speeded up by
placing the container in some hot water to warm
the mixture before shaking. You can make larger
batches of mixture if you want to make more
cards, but always use one part of vinegar to two
parts sugar. The mixture will keep for at least
two weeks.
Now, cover the table with old newspapers
or a sheet of plastic and place the corrugated
cardboard on top of this.
The card will tend to curl up as it gets wet, to
prevent this you need to hold it flat and prefer-
ably slightly away from the cardboard so there
is no chance of them sticking together. The best
way to do this is to decide on the largest size
aperture you are likely to use and cut the card
2cm bigger all round. Lay the card onto the
cardboard and draw round it, remove the card.
Place four sticky fixer pads onto the card-
board, one just inside each corner of the marked
rectangle. The pads are simply used as spacers,
don’t peel the top backing pieces off them as
you don’t want the card to stick onto them.
Place the card on top of the pads, and push
a pin through each corner, it will help to keep
the card flat if you put the pins through at a
slight outward angle.
After coating the card with the vinegar solu-
tion, it is vital that you work very quickly. As
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