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Magishing My Way
My Way
Conjuring Routines for the Performing Prestidigitator
Developed and Explained by
Scott F. Guinn
Magishing
 
©Copyright 2001 by Scott F. Guinn
All rights reserved, including manufacturing of original items for resale. Performance
rights are granted to the purchaser. No part of this publication may be reproduced or
transmitted in any form or by any means, electronic or mechanical now known or to be
invented, without express permission in writing.
Layout, cover and book design by Scott F. Guinn
 
Scott F. Guinn
Page 3
First Word
for a while, but it turns out I had some more (and I think very good) material left in me.
It’s almost as if I’m just not happy unless I’m working on a book! If you’ve read my previous
works, you already know my philosophies and thinking to a large degree, and the routines in
this latest tome will reflect those ideologies. If, on the other hand, this is your first exposure to
my magic, I think a brief overview of my style and opinions on the performance of magic are in
order. This will help you to better understand the magic you are about to read.
First and foremost, I am a performer. I perform magic for a living in front of real people who
pay me to entertain them. I structure my routines to that end. They are not designed to “fool the
guys” at the next magic club meeting (although some may well do that), and I don’t spend time
trying to figure out every possible way to accomplish a sleight or effect. Rather, I try to find the
best way to perform the effect for the venue in which I intend to use it. If it is impromptu or eas-
ily reset, that is a bonus if the effect is to be done in strolling or restaurant work, but I am not
above doing tricks that are a little labor intensive or difficult to reset if these effects have an ex-
tremely powerful affect on the audience.
I also think you should know up front that my work is largely based on the work of others who
have gone before me. Occasionally I come up with something that no one has seen before, but
(and there are many “name” magicians who will back me up on this) my real strength lies in my
ability to spot a weak point in an existing effect, or in routining or combining effects, and mak-
ing the effects new and stronger. If you are looking for a cutting edge new sleight, you’re not
likely to find it in the writings of Scott F. Guinn (with the notable exception, if I may be so bold
to say so, of the Guinn Utility Backslip, described in detail in my book, Great Scott! It’s Card
Magic!). What you will find are effects that play in the real world for real, paying clients. Rou-
tines that are tested in the fire of performance before I bring them to you. Tricks that I actually
use in my professional repertoire. As such, they are of great value to me. If you take the time to
learn them and adapt them to fit you, I believe you will find them to be of great value as well.
I truly believe the effects and routines in this book are some of my best, and that they will gar-
ner a response that will be everything you could have hoped for if you learn them well and per-
form them properly. I hope you will find at least a few that will cause you to agree with me.
And I hope your audiences like them (and you) so much that they will beg you to perform for
them again in the future.
I also put a lot of thought into the layout. All the photos are on the same page as the text that
refers to them. The photos are on the inside of facing pages, making it easier to scan them after
you have familiarized yourself with the routine. I think it makes learning the routines easier. I
hope you’ll agree.
As always, you have my best wishes for your success.
Scott F. Guinn
W ell, here we are again! I thought that Officiously Yours would be my last book, at least
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Table of Contents
First Word
3
Section One: Pasteboard Prestidigitation
5
Chapter One: Plain Pack-ages
7
Hi-ways and Bi-ways
9
Direct Decision
16
A-Jacks Transposition
20
What the Devil?
26
Lumberjack Stew
31
Chapter Two: A Little Something Extra
37
Coeur d’Alene Assembly
39
Ransomed Back
47
Universal Appeal
51
Face-Off
54
The “X” on Val Dees
58
Dearly Departed
64
Chapter Three: Worth the Trouble
67
Mr. Collins’ Opus
69
McCall of the Wild
72
The Legend of Scott Star, Trader Vic and “Slick Jack” Spade
77
Chapter Four: Double Time
83
Tri-Optical Illusion
85
Brundle-Fly Transposition
88
Section Two: Cunning Chicanery
91
Chapter Five: A Familiar Ring
93
Stick Around
95
Wedded Bliss
101
You Bet Your Ring
104
Jellis
108
Chapter Six: Just Kid-ding
115
Plumber’s Bottle
117
Million Dollar Chocolate
118
Bonus Routine: Bernard Sims’ “Really Linked!”
121
Last Word
127
Index of Sleights
128
Part One
Pasteboard
Prestidigitation
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