Leiber, Fitz - SS - Damnation Morning.pdf

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DAMNATION MORNING
Fritz Leiber
Time travelling, which, is not quite the good clean boyish fun it’s cracked up to be, started for me when
this woman with the sign on her forehead looked in on me from the open doorway of the hotel bedroom
where I’d hidden myself and the bottles and asked me, “Look, Buster, do you want to live?”
It was the sort of question mat would have suited a re-
ligious crackpot of the strong-arm, save-your-soul variety,
but she didn’t look like one. And I might very well have
answered it—in fact I almost did—with a hangover, one
percent humorous, “Good God, no!” Or—a poor second
—I could have studied the dark, dust-burnished arabesques
of the faded blue carpet for a perversely long time and
then countered with a grudging, “Oh, if you insist”
But I didn’t, perhaps because there didn’t seem to b® anything like one percent of humour in the
situation. Point One: I have been blacked out the past half hour or so—this woman might just have
opened the door or she might have been watching me for ten minutes. Point Two: I was in the fringes of
DTs, trying to come off a big drunk. Point Three: I knew for certain that I had just killed someone or left
him or her to die, though I hadn’t the faintest idea of whom or why.
Let me try to picture my state of mind a little more
vividly. My consciousness, the sentient self-aware part of
me, was a single quivering point in the centre of an end-
less plane vibrating harshly with misery and menace. I
 
was like a man in a rowboat in the middle of the Pacific
or better, I was like a man in a shell hole in the North African desert (I served underMontgomeryand
any re-gion adjoining the DTs is certainly a No Man’s Land). Around me, in every direction—‘this is my
consciousness Fm describing, remember—miles of flat burning sand, nothing more. Way beyond the
horizon were two divorced wives, some estranged children, assorted jobs, and other unexceptional
wreckage. Much Closer, but still beyond the horizon, w»eStateHospital(twice) and Psycho (four times).
Shallowly buried very near at hand, or perhaps blackening in the open just behind me in the shell hole,
was the person I had killed.
But remember that I knew I had killed a real person.
That wasn’t anything allegorical.
Now for a little more detail on this “Look, Buster,” woman. To begin with, she didn’t resemble any part
of the DTs or its outlying kingdoms, though an amateur aright ‘have thought differently—especially if he
had given too much weight to the sigil on her forehead. But I was no amateur.
She seemed about my age—forty-five—but I couldn’t
be sure. Her body looked younger than that, her face
older; both were trim and had seen a lot of use, I got
the impression. She was wearing black sandals and a
black unbelted tunic with just a hint of the sack dress
to it, yet she seemed dressed for the street. It occurred
“to me even then (off-track ideas can come to you very swiftly and sharply in the DT outskirts) that it
was a costume that, except perhaps for the colour, would have fitted into any number of historical eras:
oldEgypt,Greece, maybe the Directoire.World War I,Burma,Yucatan, to name some. (Should I ask her
if she spoke Mayathan? I didn’t, but I don’t think the question would have fazed her; she seemed
altogether sophisticated, a real cosmopolite—she pronounced “Buster” as if it were part of a curious,
somewhat ridiculous jargon she was using for shock purposes.)
From her left arm hung a black handbag that closed with a drawstring and from which protruded the tip
of silvery object about which I found myself apprehensively . curious.
Her right arm was raised and bent, the elbow touching the door frame, the hand brushing back the very
dark bangs from her forehead to show me the sigil, as if that had a bearing on her question.
The sigil was an eight-limbed asterisk made of fine dark lines and about as big as a silver dollar. An X
superimposed on a plus sign. It looked permanent.
Except for the bangs she wore her hair pinned up. Her ears were flat, thin-edged, and nicely shaped,
with the long lobes that in Chinese art mark the philosopher. Small square silver fiats with rounded
comers ornamented them.
 
Her face might have been painted by Toulouse-Lautrec or Degas. The skin was webbed with very fine
lines; the eyes were darkly shadowed and there was a touch of green on the lids (Egyptian?—I asked
myself); her mouth was wide, tolerant, but realistic. Yes, beyond all else, she seemed realistic.
And as I’ve indicated, I was ready for realism, so when she asked, “Do you want to live?” I somehow
managed not to let slip any of the flippant answers that came flocking into my mouth, I realized that this
was the one time in a million when a big question is really meant and your answer really counts and there
are no second chances, I realized that the line of my life had come to one of .those points where there’s a
kink in it and the wrong (or maybe the right) tug can break it and that as far as I was concerned at the
present moment, she knew all about everything.
So I thought for a bit, not long, and I answered, “Yes.”
She nodded—not as if she approved my decision, or dis-approved it for that matter, but merely as if she
accepted it as a basis for negotiations—and she let her bangs fall back across her forehead. Then she
gave me a quick dry smile and she said, “In that case you and I have got to get out of here and do some
talking.”
For me that smile was the first break in the shell—the shell around my rancid consciousness or perhaps
the dark, star-pricked shell around the space-time continuum.
“Come on,” she said. “No, just as you are. Don’t stop for anything and—“ (She caught the direction of
my im-mediate natural movement) “—don’t look behind you if you meant that about wanting to live.”
Ordinarily being told not to look behind you is a re-markably silly piece of advice, it makes you think of
those “pursuing fiend” horror stories that scare children, and you look around automatically—if only to
prove you*re no child. Also in this present case there was my very real and dreadful curiosity: I wanted
terribly (yes, terribly) to know whom it was I had just killed—a forgot-ten third wife? a stray woman? a
jealous husband or boy-friend? (though I seemed too cracked up for love affairs) the hotel clerk? a
fellow derelict?
But somehow, as with her “want to live” question, I bad the sense to realize that this was one of those
times when the usually silly statement is dead serious, that she meant her warning quite literally.
If I looked behind me, I would die.
I looked straight ahead as I stepped past the scattered^ brown empty bottles and the thin fume mounting
from the tiny crater in the carpet where I’d dropped a live cigarette.
As I followed her through the door I caught, from the window behind me, the distant note of a police
siren.
Before we reached the elevator the siren was nearer and it sounded as if the fire department had been
called out too.
I saw a silvery flicker ahead. There was a big mirror facing the elevators.
“What I told you about not looking behind you goes for mirrors -too,” my conductress informed me.
“Until I tell you differently.”
 
The instant she said that, I knew that I had forgotten what I looked like; I simply could not visualize that
dreadful witness (generally inhabiting a smeary bathroom mirror) of so many foggy mornings: my own
face. One glance in the mirror ...
But I told myself: realism. I saw a blur of brown shoes and black sandals in the big mirror, nothing more.
The cage of the right-hand elevator, dark and empty. was stopped at this floor. A crosswise wooden
bar held the door open. My conductress removed the bar and We stepped inside. The door closed and
she touched the controls. I wondered, “Which way will it go? Sideways?”
It began to sink normally. I started to touch my face, but didn’t I started to try to remember my name.
but stopped. It would be bad tactics, I thought, to let myself become aware of any more gaps in my
knowledge. I knew I was alive. I would stick with that for a while.
The cage sank two and a half floors and stopped, its doorway blocked by the drab purple wall of the
shaft. My conductress switched on the tiny dome light and turned to me.
“Well?” she said.
I put my last thought into words.
“I’m alive.” I said, “and I’m in your hands.”
She laughed lightly. “You find it a compromising situa-tion? But you’re quite correct. You accepted life
from me, or through me, rather. Does that suggest anything to you?”
My memory may have been lousy, but another, long unused section of my mind was clicking. “When
you get anything,” I said, “you have to pay for it and sometimes money isn’t enough, though I’ve only
once or twice been in situations where money didn’t help.”
Three times now,” she said. “Here is how it stacks up; You’ve bought your way with something other
than money, into an organization of which I am an agent Or perhaps you’d rather go back to die room
where I re-cruited you? We might Just be able to manage it.”
Through the walls of the cage and shaft I could hear the sirens going full blast, underlining her words.
I shook my head. I said, “I think I knew that—I mean. that I was joining an organization—when I
answered your first question.”
“It’s a very big organization.” she went on, as if warn-ing me. “Call it an empire or a power if you like.
So far as. you, are concerned, it has always existed and always will exist. It has agents everywhere,
literally. Space and time are no barriers to it. Its purpose, so far as you will ever be able to know it, is to
change, for its own ag-grandizement, not only the present and future, but also the past. It is a ruthlessly
competitive organization and 1s merciless to its employees.”
“I. G. Farben?” I asked grabbing nervously and clum-sily at humour.
She didn’t rebuke my flippancy, but said, “And it isn’t the Communist Party or the Ku Klux Klan, or the
Aveng-ing Angels or the Black Hand, either, though its enemies give it a nastier name.”
“Which is?” I asked.
 
“The Spiders,” she said.
That word gave me the shudders, coming so suddenly. I expected the sigil to step off her forehead and
scuttle down her face and leap at me—something like that.
She watched me. “You might call it the Double Cross,” she suggested, “if that seems better.”
“Well, at least you don’t try to prettify your organiza-tion,” was all I could think to say.
She shook her head. “With the really, big ones yon don’t have to. You never know if the side into which
you are born or reborn is ‘right’ or ‘good’—you only know that it’s your side and you, try to learn about
it and form as opinion as you live and serve.”
“You talk about sides,” I said. “Is there another?”
“We won’t go into that now,” she said, “but if you ever meet someone with an S on his forehead, he’s
not a friend, no matter what else he may be to you. That S stands for Snakes.”
I don’t know why that word coming just then, gave me’ so much worse a scare—crystallized all my
fears, as it were—but it old. Maybe it was only some little thing, like Snakes meaning DTs. Whatever it
was, I felt myself turning to mush.
“Maybe we’d better go back to the room where you found me,” I heard myself saying. I don’t think I
meant it. though I surely felt it. The sirens had stopped, but I could hear a lot of general hubbub, outside
the hotel and inside it too, I thought—noise from the other elevator shaft and it seemed to me, from the
floor we’d just left—hurrying footsteps, taut voices, something being dragged. I knew terror here, in this
stalled elevator, but the loud-ness outside would be worse.
“It’s too late now,” my conductress informed me. She slitted her eyes at me. “You see. Buster,” she
said. you’re still back in that room. You might be able to handle the problem of rejoining yourself if you
went back done, but not with other people around.”
“What did you do to me?” I said very softly.
*Tm a Resurrectionist,” she said as quietly. “I dig bodies out of the space-time continuum and give them
the freedom of the fourth dimension. When I Resurrected you, I cut you out of your lifeline close to the
point that you think of as the Now.”
“My lifeline?” I interrupted. “Something in my palm?”
“All of you from your birth to your death,” she said.
“A you-shaped rope embedded in the space-time con-tinuum—I cut you out of it. Or I made a fork in
your lifeline, if you want to think of it that way, and you’re in the free branch. But the other you, the
buried you, the one people think of as the real you, is back in your room with the other Zombies going
through the motions.”
“But how can you cut people out of their lifelines?” asked. “As a bun-session theory, perhaps. But to
ac-tually do it—“
 

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