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BURIED DEEP

Forensic anthropologist Aisha Costard has been summoned to Mars to examine skeletal remains recently discovered

beneath a building erected by the Disty aliens. The bones belong to a human woman who vanished thirty years ago

with her children. She is believed to have been one of the Disappeared, outlaws wanted for crimes against alien

civilizations.

To investigate the mystery of the skeleton, Aisha turns to Retrieval Artist Miles Flint. Following the trail back

three decades and seeking the whereabouts of the victim's missing children, Miles discovers a deadly secret that

could threaten the stability of the entire solar system. . .

"A masterful writer."

—Orson Scott Card

"Whether [Rusch] writes high fantasy, horror, sf, or contemporary fantasy, I've always been fascinated by her ability

to tell a story with that enviable gift of invisible prose. She's one of those very few writers whose style takes me right

into the story; the words and pages disappear as the characters and their story swallows me whole."

—Charles de Lint

"Accomplished . . . exceptional."

—Edward Bryant

"Rusch's greatest strength . . . is her ability to close down a story and leave the reader feeling that the author could not

possibly have wrung any more satisfaction out of the piece."

— The Kansas City Star

"Kristine Kathryn Rusch never stray[s] from the path of good storytelling as she dissects her characters and their

situations for the reader's benefit. She integrates the fantastic elements so rigoriously into her story that it is often

hard to remember she is not merely recording the here and now."

—Science Fiction Weekly

"[Rusch's] writing style is simple but elegant, and her characterizations excellent."

— Beyond

"Rusch's . . . stories are exceptional, both in plot and in style."

—Ed Gorman, Mystery Scene

"[Rusch] is already far better than should be allowed."

— Nexus

"A balanced blend of police procedural and action adventure."

—Chronicle

"Rusch mounts hard-boiled noir on an expansive SF background with great panache."

—Booklist

"Sophisticated storytelling that works all the way, a futuristic detective/PI novel with the blend of contemporary and

timeless relevance only the best writers can achieve."

—Locus

BURIED DEEP

A RETRIEVAL ARTIST NOVEL

Kristine Kathryn Rusch

A ROC BOOK

ROC

Published by New American Library, a division of

Penguin Group (USA) Inc., 375 Hudson Street,

New York, New York 10014, USA

Penguin Group (Canada), 10 Alcom Avenue, Toronto,

Ontario M4V 3B2, Canada (a division of Pearson Penguin Canada Inc.)

Penguin Books Ltd., 80 Strand, London WC2R ORL, England

Penguin Ireland, 25 St. Stephen's Green, Dublin 2,

Ireland (a division of Penguin Books Ltd.)

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Australia (a division of Pearson Australia Group Ply. Ltd.)

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New Delhi - 110 017, India

Penguin Group (NZ), cnr Airborne and Rosedale Roads, Albany,

Auckland 1310, New Zealand (a division of Pearson New Zealand Ltd.)

Penguin Books (South Africa) (Ply.) Ltd., 24 Sturdee Avenue,

Rosebank, Johannesburg 2196, South Africa

Penguin Books Ltd., Registered Offices: 80 Strand, London WC2R ORL, England

First published by Roc, an imprint of New American Library, a division of Penguin Group (USA) Inc.

First Printing, April 2005

10 98765432 I

The Edgar® name is a registered service mark of the Mystery Writers of America, Inc. Cover art by Greg Bridges

REGISTERED TRADEMARK----MARCA REGISTRADA

Printed in the United States of America

PUBLISHER'S NOTE

This is a work of fiction. Names, characters, places, and incidents either are the product of the author's imagination or are used fictitiously, and any resemblance to

actual persons, living or dead, business"establishments, events, or locales is entirely coincidental.

For my nephew, Tim Rusch, with love

ACKNOWLEDGMENTS

T hanks on this one go to my husband, Dean Wesley Smith, who kept me focused on the heart of this book,

and to Loren Coleman for one important late-night brainstorming session. Much appreciated, you two.

BURIED DEEP

B y the time Sharyn Scott-Olson had reached the crime scene, she already knew something was seriously

wrong. The three-block area surrounding the construction site was empty except for three police carts, five

officers, and Petros Batson. Petros stood at the edge of the site, staring down the street, obviously waiting

for her. His long coat brushed against the rust-colored Martian soil, and his boots were covered in dust,

making them look pale orange instead of black.

There were no Disty. Not on the streets, not leaning against the doorways in the nearby buildings, not

guarding the site, even though the excavation equipment was clearly Disty made.

The Disty had fled, and that made a shiver run through Scott-Olson. She knew that the Disty didn't like

death. One of the many reasons vengeance killings worked in Disty culture was because the Disty believed

that dead bodies contaminated the environment—not just for the moment those bodies touched the ground,

but for all time.

But the Disty also valued their homes, their businesses, and their possessions. Scott-Olson had entered

hundreds of locations in Sahara Dome, always to examine a dead body, and never before had she arrived at

a scene without at least one Disty there. Usually the Disty was a member of the Death Squad.

Scott-Olson had never been to a scene so unclean that not even the Death Squad would stand guard.

The surrounding neighborhood looked no different than it had ten years before. The buildings appeared

haphazardly built, although they weren't. Their doorways, tiny by human standards, were made for the adult

Disty. There were no windows. The buildings seemed to grow off each other.

Only one open street went from block to block, and that was a nod toward the initial human

requirements of Sahara Dome. Most of the streets, especially in this section, were little more than tunnels,

with buildings on top that stretched all the way to the dome roof.

The tunnels were so low that no adult human could walk through them without crouching. The walls

were narrow, as well. Humans who lived on Mars learned to stay thin if they wanted to travel inside the

domes. Heavyset humans sometimes couldn't fit inside the tunnels at all.

Scott-Olson was too thin, but sometimes even her arms brushed against the walls of Disty tunnels. She

was lucky she wasn't claustrophobic, since her job often took her into the Disty-only sections, where the

tunnels seemed even narrower.

Perhaps what surprised her most about the crime scene was that it wasn't narrow or covered with

buildings. It was the widest-open space she had ever seen in the Disty section. An entire human-sized city

block—perfectly square, just like the blocks in the human section of the dome—had been torn down.

Someone had removed the Disty brick and piled it against the back side of the square as if building a wall.

Scott-Olson looked up, saw the yellowish light on the underside of the dome, the shadow of the

inexorable dust on the top of the dome, and the darkness beyond.

Martian winter.

Even though she had been here for nearly twenty Earth years, she still couldn't get used to the

darkness. She used to imagine that she'd leave before the next winter set in.

She had no such illusions now.

"It's about time," Batson said as he walked toward her. He looked gigantic against the twisted Disty

buildings and the tiny carts. His long coat swayed behind him, creating eddies of reddish dust.

She had forgotten how ubiquitous the dust could be inside the Dome. The Disty had developed an

excellent filtration system to keep the dust outside, and almost all of the dome's interior was paved.

Except when buildings were torn down, and construction was underway.

Batson even had dust on his face. His dark skin seemed unusually ruddy, and his eyelashes, long and

beautiful, accenting startling green eyes, looked like they'd been coated in red dye.

"I had to walk," Scott-Olson said. "I couldn't get a cart small enough for the all-Disty section."

He grunted, shook his head, and then took her kit from her.

"Where's the Death Squad?" she asked.

He looked at her sideways as he led her to the construction site. "We've got a major contaminant, as

far as they're concerned," he said.

"Major contaminant?" In all her years as medical examiner for the Sahara Dome Human Government,

she had never heard of anything categorized like that.

"They took one look, decided the body'd been here for years, and ran off. I managed to catch one, and

he yelled something about tearing down the entire community—at our expense."

Scott-Olson frowned. "Our expense?"

"The body's human," he said.

She had figured that much. Otherwise, she wouldn't be on the scene. The Death Squad dealt with their

own in this section of the dome. She got Disty who died in the human section, and had learned to perform

Disty autopsies because the Disty were so squeamish about doing one themselves.

"I've handled human bodies in the Disty section before," Scott-Olson said.

"Not one like this." Batson stopped at the edge of the construction site. There were several large dips in

the sand, caused by the weight of the buildings that had been on this site. She counted five separate

rectangles, and stopped when she realized she couldn't take in the entire leveled area.

She scanned the site. Aside from the Disty excavation equipment—something that resembled a

miniature backhoe, a claw-shaped digging something-or-other, and a tiny truck that carted the recyclable

building materials to another location —she saw nothing except flattened sand.

"Where's the body?" she asked.

Batson set her kit on the side of the site, then jumped down the meter or so to the main part of the dig.

He extended a hand to help her down, making her feel old.

She was old, or at least older than he was. She took his hand, let him ease her down, then grabbed the

kit.

From here she could see Disty prints, with their distinctive three-toed mark barely deep enough to be

called an impression. Disty bones were hollow, and the Disty themselves weighed next to nothing.

Batson walked in his original prints. He was a good detective, if a bit blunt and brash. She liked working

on his cases because he actually cared. So many people on Sahara Dome's Human Police Force didn't.

He walked almost to the center of the large excavated area and then stopped. He crouched and pointed

with one dust-coated finger.

She was probably dust-coated as well. Already she could taste the sand in the back of her mouth,

grinding as she pressed her teeth together. Her eyes felt dry and gritty.

Amazing how little of the dunes had to appear before they coated the entire area, even with the

fantastic filtration system.

She still didn't see anything. The area near Batson's finger was raised slightly, and nothing else.

She crouched beside him, removing a paintbrush from her pocket. She had learned during her first year

that any case involving Martian sand required a delicate tool for brushing it away.

"What am I looking at?" she asked.

"I'm no expert, Doc," he said, "but I think that's a pelvis."

His finger outlined the air above the sand. She squinted and finally saw what he was pointing at.

Ridges, whirls, edges.

Bone.

She blinked twice to clear her mind, and looked again.

Bone.

Bone the same color as the sand, a dusty reddish-orange. She leaned forward, clutching her brush, and

tried to rub off the sand. It came off in delicate chunks, floating to the side.

But no matter how hard she dusted, she still couldn't get all of the sand out of that bone.

She pressed a button on her sleeve, starting a recording of the site. She probably should have started

that when she arrived, but she hadn't seen anything, and now she didn't believe what she saw.

Scott-Olson rested her brush on her knee, reached into her pocket, and pulled out the thinnest pair of

gloves she owned. She still wanted to be able to feel through the material, but she didn't want to

contaminate the site any more than necessary.

The gloves felt like rubber against her skin, then that feeling faded, replaced by a slight pulling

sensation, as if the gloves made her middle-aged skin taut again. Slowly, she eased her hand down and

touched the innominate.

It was hard, the surface clean. She had gotten all the dust off, and still the bone was reddish-orange,

exactly the color of the soil. If the bone had been placed here recently, it should have been yellowish-white.

She cleared dust away from the pelvis to find an intact sacrum, and a wide subpubic angle. From the

look of this— and she was only going by gut at the moment—she was working on part of an adult female

skeleton.

Slowly, she worked around it, removing more sand with her brush, coming away from the bottom of the

pelvis and toward her. It took very little digging to find the vertebrae, and slightly more to find the attached

rib cage.

She kept going upward, digging even deeper than she expected, until she found a skull near her feet.

The eye sockets, empty except for sand, had sharp upper borders, confirming what she had already

suspected.

She was looking at a dead human woman.

"I don't get why the Disty are so upset." Batson's deep voice startled her. She had forgotten he was

there. "They've seen skeletal remains before."

"Not many of them," she said.

"Enough. I've even had a case or two. That woman who died in her bathtub, remember her? The—"

"I remember," Scott-Olson said, thinking mostly of that water, with the fat floating along the surface.

The moisture and exceptionally warm temperature in the apartment had sped the decay. Strangely, no one

had reported the smell, which had to have been fierce, and by the time the body had been discovered—by

the landlord, who thought his renter had skipped—the woman was long past bloated, little more than a

skeleton, with flesh hanging off the bones.

"There was a Disty at that scene. Death Squad, but still." Batson shook his head. "He didn't run

screaming."

"Were they really screaming?" she asked, finally looking at him.

The dust on his face had grown worse, almost a reddish mask over his skin. Her face probably looked

the same. This stuff clung.

"Close enough," he said. "They acted as if they'd been contaminated. I don't know what the hell would

cause that."

"Disty found the body?" she asked.

He nodded.

"How?"

"Excavating," he said. "I didn't get the entire story because of the, you know, running, but I guess they

were getting the last of the Disty bricks out of this section when their whatchamadingy over there hit

something that wasn't Disty. They dug enough to find this, sent for the Death Squad, and then sent for us."

He brushed at his lower lip, making the dust layer worse.

"We got here same time as the squad and they went in first to secure the site."

Protocol, she knew. Apparently, there were things in the Disty section not even the human police were

allowed to see.

"We haven't even waited five minutes before they hurry past us so fast that I nearly get knocked over.

And those little guys usually can't budge me."

Scott-Olson frowned, trying to imagine it. She'd never seen anyone on the Death Squad panic.

"Then," Batson said, lowering his voice, "this is the creepy part. A bunch of Disty start pouring out of

the buildings and onto the street like they all got a bulletin telling them to flee."

"Maybe they did," she said.

"But no one would tell us why," he said.

"Except major contamination," she said.

He nodded.

"You've worked these cases before," she said. "You've heard them talk about contamination, right?

Death coats everything. If the body's allowed to remain too long, it takes forever to clear out the

contamination."

"So major contamination would be what? That the body's been here so long they can't clear out the

'coating'?" He looked at the partially revealed skeleton. "How would they know? Before everyone skipped

out, I talked to one of the Disty in charge of the construction. He said they'd just started their day's work.

Anyone could've dumped the corpse here and poured sand on top of it."

"I suppose." Scott-Olson brushed a bit more sand away from the skull. It had been buried deeper than

the rest of the skeleton, almost as if it had been thrown halfway into a hole, legs on the edge, head inside.

But the settling of two different buildings could have caused the same effect.

"You suppose," he said, "but you don't agree. You think this was under the building? You think they're

telling the truth?"

"I don't know why they'd lie." She had stopped brushing again. Her knees ached. Her back ached too.

Her own skeleton would probably show stress in those two areas, all because she had lived too long on

Mars.

She stood, stretched, and looked up, reveling in the empty air above her head. Her back cracked.

"How long has this building been here?" she asked.

Kristine Katheryn Rusch - Buried Deep.pdf

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