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Asimov's Science Fiction - Jack McDevitt by Promises to Keep
Asimov's Science Fiction - Jack McDevitt by Promises to Keep
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Jack McDevitt: Promises to Keep
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I received a Christmas card last
week from Ed Iseminger. The
illustration was a rendering of the
celebrated Christmas Eve telecast
from Callisto: a lander stands
serenely on a rubble-strewn plain,
spilling warm yellow light through its
windows. Needle-point peaks rise
behind it, and the rim of a crater
curves across the foreground. An
enormous belted crescent
dominates the sky.
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What is the spirit that moves
us to explore the unknown? Is
it strong enough to keep us
interested in the space
program, especially when
what we see through the TV
camera may not be as
dramatic as what we can see
at the movies? "Promises to
Keep," set in the same
universe as "Melville on
Iapetus" (November 1983),
takes a thoughtful look at
these questions.
In one window, someone has hung
a wreath.
It is a moment preserved, a tableau
literally created by Cathie Perth
extracted from her prop bag. Somewhere here, locked away among
insurance papers and the deed to the house, is the tape of the
original telecast, but I’ve never played it. In fact, I’ve seen it only
once, on the night of the transmission. But I know the words,
Cathie’s words, read by Victor Landolfi in his rich baritone, blending
the timeless values of the season with the spectral snows of another
world. They appear in schoolbooks now, and on marble.
Inside the card, in large, block, defiant letters, Iseminger had printed
"SEPTEMBER!" It is a word with which he hopes to conquer a world.
Sometimes, at night, when the snow sparkles under the hard cold
stars (the way it did on Callisto), I think about him, and his quest.
And I am very afraid.
Copyright
"Promises to
Keep" by Jack
McDevitt,
copyright © 1984
by Jack
McDevitt, used
I can almost see Cathie’s footprints on the frozen surface. It was a
good time, and I wish there were a way to step into the picture, to
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Asimov's Science Fiction - Jack McDevitt by Promises to Keep
toast the holidays once more with Victor Landolfi, to hold onto Cathie
Perth (and not let go!), and somehow to save us all. It was the end
of innocence, a final meeting place for old friends.
by permission of
the author
We made the Christmas tape over a period of about five days.
Cathie took literally hours of visuals, but Callisto is a place of rock
and ice and deadening sameness: there is little to soften the effect
of cosmic- indifference. Which is why all those shots of towering
peaks and tumbled boulders were taken at long range, and in half-
light. Things not quite seen, she said, are always charming.
Her biggest problem had been persuading Landolfi to do the voice-
over. Victor was tall, lean, ascetic. He was equipped with laser eyes
and a huge black mustache. His world was built solely of subatomic
particles, and driven by electromagnetic Those who did not share his
passions excited his contempt; which meant that he understood the
utility of Cathie’s public relations function at the same time that he
deplored its necessity. To participate was to compromise one’s
integrity. His sense of delicacy, however, prevented his expressing
that view to Cathie: he begged off rather on the ’press of time,
winked apologetically, and straightened his mustache. "Sawyer will
read it for you," he said, waving me impatiently into the conversation.
Cathie sneered, and stared irritably out a window (it was the one
with the wreath) at Jupiter, heavy in the fragile sky. We knew, by
then, that it had a definable surface, that the big planet was a world
sea of liquid hydrogen, wrapped around a rocky core. "It must be
frustrating," she said, "to know you’ll never see it." Her tone was
casual, almost frivolous, but Landolfi was not easily baited.
"Do you really think," he asked, with the patience of the superior
being (Landolfi had no illusions about his capabilities), "that these
little pieces of theater will make any difference? Yes, Catherine, of
course it’s frustrating. Especially when one realizes that we have the
technology to put vehicles down there...."
"And scoop out some hydrogen," Cathie added.
He shrugged. "It may happen someday."
"Victor, it never will if we don’t sell the Program. This is the last shot.
These ships are old, and nobody’s going to build any new ones.
Unless things change radically at home."
Landolfi closed his eyes. I knew what he was thinking: Cathie Perth
was an outsider, an ex-television journalist who had probably slept
her way on board. She played bridge, knew the film library by heart,
read John Donne (for style, she said), and showed no interest
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Asimov's Science Fiction - Jack McDevitt by Promises to Keep
whatever in the scientific accomplishments of the mission. We’d
made far-reaching discoveries in the fields of plate tectonics,
planetary climatology, and a dozen other disciplines. We’d narrowed
the creation date down inside a range of a few million years. And we
finally understood how it had happened! But Cathie’s televised
reports had de-emphasized the implications, and virtually ignored
the mechanics of such things. Instead, while a global audience
watched, Marjorie Aubuchon peered inspirationally out of a cargo
lock at Ganymede (much in the fashion that Cortez must have
looked at the Pacific on that first bright morning), her shoulder flag
patch resplendent in the sunlight. And while the camera moved in for
a close-up (her features were illuminated by a lamp Cathie had
placed for the occasion in her helmet), Herman Selma solemnly
intoned Cathie’s comments on breaking the umbilical.
That was her style: brooding alien vistas reduced to human terms. In
one of her best-known sequences, there had been no narration
whatever: two space-suited figures, obviously male and female,
stood together in the shadow of the monumental Cadmus Ice
Fracture on Europa, beneath three moons.
"Cathie," Landolfi said, with his eyes still shut, "I don’t wish to be
offensive: but do you really care? For the Program, that is? When
we get home, you will write a book, you will be famous, you will be at
the top of your profession. Are you really concerned with where the
Program will be in twenty years?"
It was a fair question: Cathie’d made no secret of her hopes for a
Pulitzer. And she stood to get it, no matter what happened after this
mission. Moreover, although she’d tried to conceal her opinions,
we’d been together a long time by then, almost three years, and we
could hardly misunderstand the dark view she took of people who
voluntarily imprisoned themselves for substantial portions of their
lives to go ’rock-collecting.’
"No," she said. "I’m not, because there won’t be a Program in twenty
years." She looked around at each of us, weighing the effect of her
words. Iseminger, a blond giant with a reddish beard, allowed a
smile of lazy tolerance to soften his granite features. "We’re in the
same class as the pyramids," she continued, in a tone that was
unemotional and irritatingly condescending. "We’re a hell of an
expensive operation, and for what? Do you think the taxpayers give
a good goddam about the weather on Jupiter? There’s nothing out
here but gas and boulders. Playthings for eggheads!"
I sat and thought about it while she smiled sweetly, and Victor
smoldered. I had not heard the solar system ever before described
in quite those terms; I’d heard people call it vast, awesome,
magnificent, serene, stuff like that. But never boring.
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Asimov's Science Fiction - Jack McDevitt by Promises to Keep
In the end, Landolfi read his lines. He did it, he said, to end the
distraction.
Cathie was clearly pleased with the result. She spent three days
editing the tapes, commenting frequently (and with good-natured
malice) on the resonance and tonal qualities of the voice-over. She
finished on the morning of the 24th (ship time, of course), and
transmitted the report to Greenswallow for relay to Houston. "It’ll
make the evening newscasts," she said with satisfaction.
It was our third Christmas out. Except for a couple of experiments--in-
progress, we were finished on Callisto and, in fact, in the Jovian
system. Everybody was feeling good about that, and we passed an
uneventful afternoon, playing bridge and talking about what we’d do
when we got back. (Cathie had described a deserted beach near
Tillamook, Oregon where she’d grown up. "It would be nice to walk
on it again, under a blue sky," she said. Landolfi had startled
everyone at that point: he looked up from the computer console at
which he’d been working, and his eyes grew very distant. "I think,"
he said, "when the time comes, I would like very much to walk with
you.... ")
For the most part, Victor kept busy that afternoon with his hobby: he
was designing a fusion engine that would be capable, he thought, of
carrying ships to Jupiter within a few weeks, and, possibly, would
eventually open the stars to direct exploration. But I watched him: he
turned away periodically from the display screen, to glance at
Cathie. Yes (I thought), she would indeed be lovely against the rocks
and the spume, her black hair free in the wind.
Just before dinner, we watched the transmission of Cathie’s tape. It
was very strong, and when it was finished we sat silently looking at
one another. By then, Herman Selma and Esther Crowley had joined
us. (Although two landers were down, Cathie had been careful to
give the impression in her report that there had only been one.
When Basked why, she said, "In a place like this, one lander is the
Spirit of Man. Two landers is just two landers.") We toasted Victor,
and we toasted Cathie.
Almost everyone, it turned out, had brought down a bottle for the
occasion. We sang and laughed, and somebody turned up the
music. We’d long since discovered the effect of low-gravity dancing
in cramped quarters, and I guess we made the most of it.
Marj Aubuchon, overhead in the linkup, called to wish us season’s
greetings, and called again later to tell us that the telecast, according
to Houston, had been "well-received." That was government talk, of
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Asimov's Science Fiction - Jack McDevitt by Promises to Keep
course, and it meant only that no one in authority could find anything
to object to. Actually, somebody high up had considerable
confidence in her: in order to promote the illusion of spontaneity, the
tapes were being broadcast directly to the commercial networks.
Cathie, who by then had had a little too much to drink, gloated
openly. "It’s the best we’ve done," she said. "Nobody’ll ever do it
better."
We shared that sentiment. Landolfi raised his glass, winked at
Cathie, and drained it.
We had to cut the evening short, because a lander’s life-support
system isn’t designed to handle six people. (For that matter, neither
was an Athena’s.) But before we broke it up, Cathie surprised us all
by proposing a final toast: "To Frank Steinitz," she said quietly. "And
his crew."
Steinitz: there was a name, as they say, to conjure with. He had led
the first deep-space mission, five Athenas to Saturn, fifteen years
before. It had been the first attempt to capture the public imagination
for a dying program: an investigation of a peculiar object filmed by a
Voyager on Iapetus. But nothing much had come of it, and the
mission had taken almost seven years. Steinitz and his people had
begun as heroes, but in the end they’d become symbols of futility.
The press had portrayed them mercilessly as personifications of
outworn virtues. Someone had compared them to the Japanese
soldiers found as late as the 1970s on Pacific islands, still defending
a world long since vanished.
The Steinitz group bore permanent reminders of their folly:
prolonged weightlessness had loosened ligaments and tendons, and
weakened muscles. Several had developed heart problems, and all
suffered from assorted neuroses. As one syndicated columnist had
observed, they walked like a bunch of retired big-league catchers.
"That’s a good way to end the evening," said Selma, beaming
benevolently.
Landolfi looked puzzled. "Cathie," he rumbled, "you’ve questioned
Steinitz’s good sense any number of times. And ours, by the way.
Isn’t it a little hypocritical to drink to him?"
"I’m not impressed by his intelligence," she said, ignoring the
obvious Parallel. "But he and his people went all the way out to
Saturn in those damned things--" she waved in the general direction
of the three Athenas orbiting overhead in linkup "--hanging onto
baling wire and wing struts. I have to admire that."
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